Progressive women writers discovered unparalleled freedoms and opportunities for intellectual agency in Germany during the long nineteenth century. Linda K. Hughes reveals how ten such writers, each of whom immersed herself in German language and culture, modelled ways of productively negotiating cultural differences that remain invaluable today.
Progressive women writers discovered unparalleled freedoms and opportunities for intellectual agency in Germany during the long nineteenth century. Linda K. Hughes reveals how ten such writers, each of whom immersed herself in German language and culture, modelled ways of productively negotiating cultural differences that remain invaluable today.
Produktdetails
Produktdetails
Cambridge Studies in Nineteenth-Century Literature and Culture
Linda K. Hughes is Addie Levy Professor of Literature at Texas Christian University. She edited The Cambridge Companion to Victorian Women's Poetry (Cambridge University Press, 2019) and has published extensively on long nineteenth century literature, culture, and women's and gender studies. Her earlier books include The Cambridge Introduction to Victorian Poetry (Cambridge University Press, 2010) and Graham R.: Rosamund Marriott Watson, Woman of Letters (2005), which received the Colby Prize.
Inhaltsangabe
1. Entrée to the 'other' Germany: Anna Jameson, Ottilie von Goethe, and their women's network; 2. Germany through a female lens: Anna Jameson's writings, 1834-1860; 3. Networked families in Germany: Mary Howitt, Anna Mary Howitt, and Elizabeth Gaskell; 4. An unbeliever in Germany: Marian Evans (George Eliot), 1854-5; 5. The Anglo-German fiction of George Eliot and Jessie Fothergill: Daniel Deronda (1876) and The First Violin (1878); 6. New woman travellers and translators: Michael Field and Amy Levy; 7. An Anglo-German expatriate-citizen: Elizabeth von Arnim; 8 Queer borders: Vernon Lee's haunted expatriate writings.
1. Entrée to the 'other' Germany: Anna Jameson, Ottilie von Goethe, and their women's network; 2. Germany through a female lens: Anna Jameson's writings, 1834-1860; 3. Networked families in Germany: Mary Howitt, Anna Mary Howitt, and Elizabeth Gaskell; 4. An unbeliever in Germany: Marian Evans (George Eliot), 1854-5; 5. The Anglo-German fiction of George Eliot and Jessie Fothergill: Daniel Deronda (1876) and The First Violin (1878); 6. New woman travellers and translators: Michael Field and Amy Levy; 7. An Anglo-German expatriate-citizen: Elizabeth von Arnim; 8 Queer borders: Vernon Lee's haunted expatriate writings.
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