Video-Analysis and Knowledge on Rewind
Contributions to Social Theory and the Sociology of Knowledge
Herausgeber: Singh, Ajit; Tuma, Rene; Meier Zu Verl, Christian
Video-Analysis and Knowledge on Rewind
Contributions to Social Theory and the Sociology of Knowledge
Herausgeber: Singh, Ajit; Tuma, Rene; Meier Zu Verl, Christian
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This book applies interpretive video-analysis to explore the intersections between the sociology of knowledge and interaction studies.
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This book applies interpretive video-analysis to explore the intersections between the sociology of knowledge and interaction studies.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 246
- Erscheinungstermin: 1. August 2025
- Englisch
- Abmessung: 234mm x 156mm
- Gewicht: 640g
- ISBN-13: 9781032230696
- ISBN-10: 103223069X
- Artikelnr.: 73328822
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 246
- Erscheinungstermin: 1. August 2025
- Englisch
- Abmessung: 234mm x 156mm
- Gewicht: 640g
- ISBN-13: 9781032230696
- ISBN-10: 103223069X
- Artikelnr.: 73328822
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Ajit Singh is a postdoctoral researcher and lecturer at the University of Duisburg¿Essen. He is a principal investigator of the DFG¿funded research project Synthetic Planning - Digital Mediatisation of Collaborative Communication Work and Changes in Planning Knowledge. Christian Meier zu Verl is a postdoctoral researcher at the University of Konstanz. He is a cöspeaker of the interdisciplinary research network Dis¿/abilities and Digital Media and a principal investigator of the research project Everyday Life in Families with Migration History. René Tuma is a postdoctoral researcher at Technische Universität Berlin. He is a principal investigator on the international ORA Research project Visions of Policing and associated member of the DFG CRC 1265 Re¿Figuration of Spaces.
1. Knowledge on rewind: how video analysis contributes to social theory;
Part I. Embodied coordination of action and the social impact of
sensuality;2. Making music together: on the sensuality of string ensemble
playing; 3. Dementia, bodies and technologies of the We: a video Analysis
of interactions under conditions of uncertainty; Part II. Social norms and
spatial figurations; 4. The spatial and communicative forms of keeping
social distance: videographic accounts of public interaction from the first
phase of the COVID-19 pandemic; 5. Queueing interaction bodies:
indexicality and (mis)interpretations of bodily-spatial arrangements in
spaces of consumption; Part III. Media, mediatised communication, and
technologically mediated practices; 6. Layered bodily modalities: on the
interplay of presence and representation in virtual multiuser environments;
7. On the meaning of sexualised violent music videos: researching youth
scenes and their artifacts; Part IV Video, violence and its forms of visual
representation; 8. Killing from a distance: insights into contemporary
warfare with video analysis; 9. Fighting styles and bodily knowledge in
street fights; Part V Communicative construction of science; 10.
Communicatively constructing lines between publics and science: video
analysis in the field of science communication; 11. Experimenting in the
economic laboratop: on the interplay of performance and performativity in
the production of economic research data; Part VI. The meaning of video and
the (re)use of video data;12. Video as a medium of placeness: exemplified
by a case of second breakfast in an educational setting; 13. Communicative
genre analysis, communicative budget and archiving and re-using
audio-visual research data
Part I. Embodied coordination of action and the social impact of
sensuality;2. Making music together: on the sensuality of string ensemble
playing; 3. Dementia, bodies and technologies of the We: a video Analysis
of interactions under conditions of uncertainty; Part II. Social norms and
spatial figurations; 4. The spatial and communicative forms of keeping
social distance: videographic accounts of public interaction from the first
phase of the COVID-19 pandemic; 5. Queueing interaction bodies:
indexicality and (mis)interpretations of bodily-spatial arrangements in
spaces of consumption; Part III. Media, mediatised communication, and
technologically mediated practices; 6. Layered bodily modalities: on the
interplay of presence and representation in virtual multiuser environments;
7. On the meaning of sexualised violent music videos: researching youth
scenes and their artifacts; Part IV Video, violence and its forms of visual
representation; 8. Killing from a distance: insights into contemporary
warfare with video analysis; 9. Fighting styles and bodily knowledge in
street fights; Part V Communicative construction of science; 10.
Communicatively constructing lines between publics and science: video
analysis in the field of science communication; 11. Experimenting in the
economic laboratop: on the interplay of performance and performativity in
the production of economic research data; Part VI. The meaning of video and
the (re)use of video data;12. Video as a medium of placeness: exemplified
by a case of second breakfast in an educational setting; 13. Communicative
genre analysis, communicative budget and archiving and re-using
audio-visual research data
1. Knowledge on rewind: how video analysis contributes to social theory;
Part I. Embodied coordination of action and the social impact of
sensuality;2. Making music together: on the sensuality of string ensemble
playing; 3. Dementia, bodies and technologies of the We: a video Analysis
of interactions under conditions of uncertainty; Part II. Social norms and
spatial figurations; 4. The spatial and communicative forms of keeping
social distance: videographic accounts of public interaction from the first
phase of the COVID-19 pandemic; 5. Queueing interaction bodies:
indexicality and (mis)interpretations of bodily-spatial arrangements in
spaces of consumption; Part III. Media, mediatised communication, and
technologically mediated practices; 6. Layered bodily modalities: on the
interplay of presence and representation in virtual multiuser environments;
7. On the meaning of sexualised violent music videos: researching youth
scenes and their artifacts; Part IV Video, violence and its forms of visual
representation; 8. Killing from a distance: insights into contemporary
warfare with video analysis; 9. Fighting styles and bodily knowledge in
street fights; Part V Communicative construction of science; 10.
Communicatively constructing lines between publics and science: video
analysis in the field of science communication; 11. Experimenting in the
economic laboratop: on the interplay of performance and performativity in
the production of economic research data; Part VI. The meaning of video and
the (re)use of video data;12. Video as a medium of placeness: exemplified
by a case of second breakfast in an educational setting; 13. Communicative
genre analysis, communicative budget and archiving and re-using
audio-visual research data
Part I. Embodied coordination of action and the social impact of
sensuality;2. Making music together: on the sensuality of string ensemble
playing; 3. Dementia, bodies and technologies of the We: a video Analysis
of interactions under conditions of uncertainty; Part II. Social norms and
spatial figurations; 4. The spatial and communicative forms of keeping
social distance: videographic accounts of public interaction from the first
phase of the COVID-19 pandemic; 5. Queueing interaction bodies:
indexicality and (mis)interpretations of bodily-spatial arrangements in
spaces of consumption; Part III. Media, mediatised communication, and
technologically mediated practices; 6. Layered bodily modalities: on the
interplay of presence and representation in virtual multiuser environments;
7. On the meaning of sexualised violent music videos: researching youth
scenes and their artifacts; Part IV Video, violence and its forms of visual
representation; 8. Killing from a distance: insights into contemporary
warfare with video analysis; 9. Fighting styles and bodily knowledge in
street fights; Part V Communicative construction of science; 10.
Communicatively constructing lines between publics and science: video
analysis in the field of science communication; 11. Experimenting in the
economic laboratop: on the interplay of performance and performativity in
the production of economic research data; Part VI. The meaning of video and
the (re)use of video data;12. Video as a medium of placeness: exemplified
by a case of second breakfast in an educational setting; 13. Communicative
genre analysis, communicative budget and archiving and re-using
audio-visual research data