Donald Richie (1924-2013) lived in Japan from the mid-1940s until his death and was an internationally recognized expert on Japanese culture and film. His many works include The Inland Sea, The Donald Richie Reader, A Lateral View, and A Hundred Years of Japanese Film, as well as works on the film director Yasujiro Ozu and hundreds of essays and book reviews.
Inhaltsangabe
Introduction I Intimacy and Distance: On Being a Foreigner in Japan Japan: A Description Japanese Shapes Japanese Rhythms Japan: Half a Century of Change The Nourishing Void The Coming Collapse of Cultural Internationalization Interpretations of Japan Crossing the Border II The Japanese Way of Seeing Japan and the Image Industry Traditional Japanese Design Signs and Symbols The Tongue of Fashion Japan the Incongruous Pink Box: Inside Japanese Sex Clubs III The Presentational Urge as Theatre Some Loose Pages on Japanese Narration Notes on the Noh The Kyogen TV: The Presentational Image Outcast Samurai Dancer Retro Dancing IV A Definition of the Japanese Film Some Notes on Life and Death in the Japanese Film Buddhism and the Film Women in Japanese Film The Japanese Eroduction Trains in Japanese Film Subtitling Japanese Films V Wasei Eigo: A Beginner's Guide Mizushobai: The Art of Pleasing Car Culture The Window and the Mirror: Some Thoughts on International Culture An Alternate Way of Thought Foreign Thoughts on Watching the Passing of a Matsuri Procession My View Acknowledgments
Introduction I Intimacy and Distance: On Being a Foreigner in Japan Japan: A Description Japanese Shapes Japanese Rhythms Japan: Half a Century of Change The Nourishing Void The Coming Collapse of Cultural Internationalization Interpretations of Japan Crossing the Border II The Japanese Way of Seeing Japan and the Image Industry Traditional Japanese Design Signs and Symbols The Tongue of Fashion Japan the Incongruous Pink Box: Inside Japanese Sex Clubs III The Presentational Urge as Theatre Some Loose Pages on Japanese Narration Notes on the Noh The Kyogen TV: The Presentational Image Outcast Samurai Dancer Retro Dancing IV A Definition of the Japanese Film Some Notes on Life and Death in the Japanese Film Buddhism and the Film Women in Japanese Film The Japanese Eroduction Trains in Japanese Film Subtitling Japanese Films V Wasei Eigo: A Beginner's Guide Mizushobai: The Art of Pleasing Car Culture The Window and the Mirror: Some Thoughts on International Culture An Alternate Way of Thought Foreign Thoughts on Watching the Passing of a Matsuri Procession My View Acknowledgments
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