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This is a title in the Bristol Classical Press French Texts series, in French with English notes, vocabulary and introduction. Chiefly known as leader of the "Theatre du Quotidien" school, Vinaver has forged a dramatic idiom which is both original and accessible. This volume includes three of his representative "chamber" plays, chosen to exemplify his personal approach both to dialogue and problems of dramatic structure. The introduction provides an account of Vinaver's place in the French theatre of the 1990s, as well as guidance on how to approach the staging of his dialogue.

Produktbeschreibung
This is a title in the Bristol Classical Press French Texts series, in French with English notes, vocabulary and introduction. Chiefly known as leader of the "Theatre du Quotidien" school, Vinaver has forged a dramatic idiom which is both original and accessible. This volume includes three of his representative "chamber" plays, chosen to exemplify his personal approach both to dialogue and problems of dramatic structure. The introduction provides an account of Vinaver's place in the French theatre of the 1990s, as well as guidance on how to approach the staging of his dialogue.
Autorenporträt
Michel Vinaver was born in 1927. For nearly 30 years he was an executive with Gilette International and this inside experience of the workings of a multinational corporation has provided material for many of his plays. In the 1950s he was labelled a political dramatist, especially after his play The Koreans provoked right-wing demonstrations and was subject to government censorship. In the 1960s he suffered from prolonged writer's block but overcame it with the writing of Overboard (1969). Since then he has written many more plays and is known as the leading 'dramatist of the everyday'. His work has been produced by every leading director from Vitez to Lassalle; he was the first chairman of the Theatre Commission of the Centre National des Lettres, and is generally acknowledged as France's major living dramatist.