Christopher Hauke (Senior Lecturer, Goldsmiths College, University
Visible Mind
Movies, modernity and the unconscious
Christopher Hauke (Senior Lecturer, Goldsmiths College, University
Visible Mind
Movies, modernity and the unconscious
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book explores why film is important to contemporary life, how it influences us psychologically, how it affects us culturally as social beings.
Andere Kunden interessierten sich auch für
Nora Swan-FosterJungian Art Therapy74,99 €
Liz Greene (UK Centre for Psychological Astrology)The Astrological World of Jung's 'Liber Novus'50,99 €
Embodied Metaphors in Film, Television, and Video Games54,99 €
James HillmanThe Essential James Hillman45,99 €
Helena Bassil-MorozowThe New Heroines in Film and Television34,99 €
Joel CrichtonJungian Shakespeare52,99 €
Ken Dancyger (Tisch School of the Arts, New York University, NY, USAlternative Scriptwriting150,99 €-
-
-
This book explores why film is important to contemporary life, how it influences us psychologically, how it affects us culturally as social beings.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 220
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 233mm x 156mm x 15mm
- Gewicht: 364g
- ISBN-13: 9780415692526
- ISBN-10: 0415692520
- Artikelnr.: 37800237
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 220
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 233mm x 156mm x 15mm
- Gewicht: 364g
- ISBN-13: 9780415692526
- ISBN-10: 0415692520
- Artikelnr.: 37800237
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Christopher Hauke is a Jungian analyst and senior lecturer at Goldsmiths, University of London, UK, and a filmmaker. He is the author of Human Being Human: Culture and the Soul (Routledge, 2005), Jung and the Postmodern: The Interpretation of Realities (Routledge, 2000), co-editor of Jung and Film: Post-Jungian Takes on the Moving Image (Routledge, 2001) and a new collection, Jung and Film II: The Return (Routledge, 2011).
Part I: Watching Movies . Introduction; Modernity, fragmentation and film.
The Face and Film; The surface and what's beneath. Film and The Shadow;
Film and its gaps - emptiness as shadow to substance. Cinema, Jung and the
American psyche; How Europe got to know the mind of America through the
movies. Part II: Making Movies. What makes movies work; Unconscious process
and the filmmaker's craft. Based on real events'; Narratives of fact and
fiction in film. Changing Your Story. Narrative, time and meaning in the
movies. Part III: Projecting movies . Out of the not-knowing, something
forms. Unusual Suspects: movies in the therapist's room. Anima-Animus;
Soul-image and individuation.
The Face and Film; The surface and what's beneath. Film and The Shadow;
Film and its gaps - emptiness as shadow to substance. Cinema, Jung and the
American psyche; How Europe got to know the mind of America through the
movies. Part II: Making Movies. What makes movies work; Unconscious process
and the filmmaker's craft. Based on real events'; Narratives of fact and
fiction in film. Changing Your Story. Narrative, time and meaning in the
movies. Part III: Projecting movies . Out of the not-knowing, something
forms. Unusual Suspects: movies in the therapist's room. Anima-Animus;
Soul-image and individuation.
Part I: Watching Movies . Introduction; Modernity, fragmentation and film.
The Face and Film; The surface and what's beneath. Film and The Shadow;
Film and its gaps - emptiness as shadow to substance. Cinema, Jung and the
American psyche; How Europe got to know the mind of America through the
movies. Part II: Making Movies. What makes movies work; Unconscious process
and the filmmaker's craft. Based on real events'; Narratives of fact and
fiction in film. Changing Your Story. Narrative, time and meaning in the
movies. Part III: Projecting movies . Out of the not-knowing, something
forms. Unusual Suspects: movies in the therapist's room. Anima-Animus;
Soul-image and individuation.
The Face and Film; The surface and what's beneath. Film and The Shadow;
Film and its gaps - emptiness as shadow to substance. Cinema, Jung and the
American psyche; How Europe got to know the mind of America through the
movies. Part II: Making Movies. What makes movies work; Unconscious process
and the filmmaker's craft. Based on real events'; Narratives of fact and
fiction in film. Changing Your Story. Narrative, time and meaning in the
movies. Part III: Projecting movies . Out of the not-knowing, something
forms. Unusual Suspects: movies in the therapist's room. Anima-Animus;
Soul-image and individuation.







