Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism.
Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism.
MATTHEW BERNSTEIN is an associate professor of film studies at Emory University. He is the author of Walter Wanger: Hollywood Independent and a former coordinating editor of The Velvet Light Trap. GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age.
Inhaltsangabe
Acknowledgments Introduction - Matthew Bernstein Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella Shohat PART ONE HISTORICAL AND GENERIC CONTEXTS The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant ``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn Studlar The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLean The Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina Heung A Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan Nadel PART TWO NATIONAL CINEMAS The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'Brien Praying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley Andrew In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice Morgon Timeless Histories: A British Dream of Cleopatra - Mary Hamer Reading The Letter in a Postcolonial World - Phebe Shih Chao Orientalism in Film: A Select Bibliography About the Contributors Index
Acknowledgments Introduction - Matthew Bernstein Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella Shohat PART ONE HISTORICAL AND GENERIC CONTEXTS The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant ``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn Studlar The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLean The Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina Heung A Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan Nadel PART TWO NATIONAL CINEMAS The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'Brien Praying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley Andrew In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice Morgon Timeless Histories: A British Dream of Cleopatra - Mary Hamer Reading The Letter in a Postcolonial World - Phebe Shih Chao Orientalism in Film: A Select Bibliography About the Contributors Index
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