Gail Finney is Professor of Comparative Literature and German at the University of California, Davis. Her publications include The Counterfeit Idyll: The Garden Ideal and Social Reality in Nineteenth-Century Fiction; Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century; Look Who's Laughing: Gender and Comedy (ed.); and Christa Wolf.
Inhaltsangabe
Contents Gail Finney, University of California, Davis. "Introduction" Part I. Questions of Methodology and Aesthetics Ch. 1. Questions of Methodology in Visual Studies, Nora M. Alter Ch. 2. The Interarts Experiment in Early German Film, Ingeborg Hoesterey Ch. 3. From Dance to Film: The Cinematic Art of Leni Riefenstahl and Dorothy Arzner, Dagmar von Hoff Ch. 4. The Photographic Comportment of Bernd and Hilla Becher, Blake Stimson Ch. 5. Ready, Set, Made! Joseph Beuys and the Critique of Silence, Jan Mieszkowski Ch. 6. Las Vegas on the Spree: The Americanization of the New Berlin, Janet Ward Part II. Gender And Sexuality Ch. 7. Magnus Hirschfeld and the Photographic (Re)Invention of the 'Third Sex,' David James Prickett Ch. 8. (Un)Fashioning Identities: Ernst Lubitsch's Early Comedies of Mistaken Identity, Valerie Weinstein Ch. 9. Cigarettes, Advertising, and the Weimar Republic's Modern Woman, Barbara Kosta Ch. 10. Brecht, Fassbinder, and Queer Montage, Patrick Greaney Ch. 11. Activism, Alterity, Alex & Ali: Writing Germany's First Gay Sitcom, Thomas J. D. Armbrecht Ch. 12. Gender, Imperialism, and the Encounter with Islam: Ruth Beckermann's Film A Fleeting Passage to the Orient, Dagmar C. G. Lorenz Part III. Political Dimensions Ch. 13. Cartographic Claims: Colonial Mappings of Poland in German Territorial Revisionism, Kristin Kopp Ch. 14. Face/Off: Hitler and Weimar Political Photography, Lutz KoepnickCh. 15. 'Send in the Clowns': Carnivalizing the Heil-Hitler Salute in German Visual Culture, Peter Arnds Ch. 16. Visual Signaling Systems in East German Political Cabaret: The Case of Berlin's Distel, Michele Ricci Ch. 17. Reframing Celan in the Paintings of Anselm Kiefer, Eric Kligerman Index Contributors
Contents Gail Finney, University of California, Davis. "Introduction" Part I. Questions of Methodology and Aesthetics Ch. 1. Questions of Methodology in Visual Studies, Nora M. Alter Ch. 2. The Interarts Experiment in Early German Film, Ingeborg Hoesterey Ch. 3. From Dance to Film: The Cinematic Art of Leni Riefenstahl and Dorothy Arzner, Dagmar von Hoff Ch. 4. The Photographic Comportment of Bernd and Hilla Becher, Blake Stimson Ch. 5. Ready, Set, Made! Joseph Beuys and the Critique of Silence, Jan Mieszkowski Ch. 6. Las Vegas on the Spree: The Americanization of the New Berlin, Janet Ward Part II. Gender And Sexuality Ch. 7. Magnus Hirschfeld and the Photographic (Re)Invention of the 'Third Sex,' David James Prickett Ch. 8. (Un)Fashioning Identities: Ernst Lubitsch's Early Comedies of Mistaken Identity, Valerie Weinstein Ch. 9. Cigarettes, Advertising, and the Weimar Republic's Modern Woman, Barbara Kosta Ch. 10. Brecht, Fassbinder, and Queer Montage, Patrick Greaney Ch. 11. Activism, Alterity, Alex & Ali: Writing Germany's First Gay Sitcom, Thomas J. D. Armbrecht Ch. 12. Gender, Imperialism, and the Encounter with Islam: Ruth Beckermann's Film A Fleeting Passage to the Orient, Dagmar C. G. Lorenz Part III. Political Dimensions Ch. 13. Cartographic Claims: Colonial Mappings of Poland in German Territorial Revisionism, Kristin Kopp Ch. 14. Face/Off: Hitler and Weimar Political Photography, Lutz KoepnickCh. 15. 'Send in the Clowns': Carnivalizing the Heil-Hitler Salute in German Visual Culture, Peter Arnds Ch. 16. Visual Signaling Systems in East German Political Cabaret: The Case of Berlin's Distel, Michele Ricci Ch. 17. Reframing Celan in the Paintings of Anselm Kiefer, Eric Kligerman Index Contributors
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