This book unpacks the complex relationship between media and visual culture in India, offering a critical lens for navigating our image-saturated world. This edited collection explores how we experience visuals beyond just seeing, while examining their creation, display, and interpretation across media.
This book unpacks the complex relationship between media and visual culture in India, offering a critical lens for navigating our image-saturated world. This edited collection explores how we experience visuals beyond just seeing, while examining their creation, display, and interpretation across media.
Arzuman Ara is associate professor of English Language Education in the English and Foreign Languages University, Shillong Campus.
Inhaltsangabe
Introduction Arzuman Ara Part I: Textuality and Materiality of Visual Cultures Chapter 1. On Visual Cultures in India: A Keynote Kailash C. Baral Chapter 2. Scopic Borders: Of Frames, Horizons, Parerga and Paralipomena Subir Dhar Chapter 3. The Theatrical Tradition of Jatrapala as a Form of Visual Communication Silpi Maitra Chapter 4. Framing the Hyper-Local: Digital Visual Culture and Virtual Spaces Hrishikesh Ingle Part II: Representation and Visual Culture Chapter 5. Visuals, Props, and Cultural Identity: A Reading of Select Assamese Films Dwijen Sharma Chapter 6. Representation of Muslim Women in Hindi Commercial Cinema: An Analysis of their Construct and Rendering in Visual Culture Sonam Sultana Shah Chapter 7. Representation of Women in the Film Posters of Bollywood Arzuman Ara Chapter 8. Gazing Identities: Visual Representation of the Nagas in the Hornbill Festival and Tourism Photography Theyiesinuo Keditsu Chapter 9. Towards a New Visual Myth: An Exploration of the Culturalscape of Assam in Advertisements Saba Anish Chapter 10. The Traditional Assamese Wedding: A Study on the Changing Aspects of Visual Culture Jayashree Kalita Part III: Visual Culture: Semiotics and Discourse Chapter 11. 'Present Shock' and the Visual Realms of Singular Immensities Jyotirmoy Prodhani Chapter 12. Framing Violence: Press Photography and the Discourse of Conflict in Northeast India Syed Murtaza Alfarid Hussain Chapter 13. On Possible Futures: Photograph as a Document of Migration Mohamed Shafeeq Karinkurayil Chapter 14. (Mis)information and Visual Culture: Memes and Social Media Affects Basil N. Darlong Diengdoh Chapter 15. Visualizing Culture: A Semiotic study of a Konyak Woman's Body Nonlih Chohwanglim
Introduction Arzuman Ara Part I: Textuality and Materiality of Visual Cultures Chapter 1. On Visual Cultures in India: A Keynote Kailash C. Baral Chapter 2. Scopic Borders: Of Frames, Horizons, Parerga and Paralipomena Subir Dhar Chapter 3. The Theatrical Tradition of Jatrapala as a Form of Visual Communication Silpi Maitra Chapter 4. Framing the Hyper-Local: Digital Visual Culture and Virtual Spaces Hrishikesh Ingle Part II: Representation and Visual Culture Chapter 5. Visuals, Props, and Cultural Identity: A Reading of Select Assamese Films Dwijen Sharma Chapter 6. Representation of Muslim Women in Hindi Commercial Cinema: An Analysis of their Construct and Rendering in Visual Culture Sonam Sultana Shah Chapter 7. Representation of Women in the Film Posters of Bollywood Arzuman Ara Chapter 8. Gazing Identities: Visual Representation of the Nagas in the Hornbill Festival and Tourism Photography Theyiesinuo Keditsu Chapter 9. Towards a New Visual Myth: An Exploration of the Culturalscape of Assam in Advertisements Saba Anish Chapter 10. The Traditional Assamese Wedding: A Study on the Changing Aspects of Visual Culture Jayashree Kalita Part III: Visual Culture: Semiotics and Discourse Chapter 11. 'Present Shock' and the Visual Realms of Singular Immensities Jyotirmoy Prodhani Chapter 12. Framing Violence: Press Photography and the Discourse of Conflict in Northeast India Syed Murtaza Alfarid Hussain Chapter 13. On Possible Futures: Photograph as a Document of Migration Mohamed Shafeeq Karinkurayil Chapter 14. (Mis)information and Visual Culture: Memes and Social Media Affects Basil N. Darlong Diengdoh Chapter 15. Visualizing Culture: A Semiotic study of a Konyak Woman's Body Nonlih Chohwanglim
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