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Drawing on interviews with Central American artists and curators, Kency Cornejo theorizes a form of â visual disobedienceâ in which art operates in opposition to nation-states, colonialism, and visual coloniality. She counters historical erasure by examining over eighty artworks and highlighting forty artists across the region.

Produktbeschreibung
Drawing on interviews with Central American artists and curators, Kency Cornejo theorizes a form of â visual disobedienceâ in which art operates in opposition to nation-states, colonialism, and visual coloniality. She counters historical erasure by examining over eighty artworks and highlighting forty artists across the region.
Autorenporträt
Kency Cornejo is Associate Professor of Art History at the University of New Mexico.