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Providing the reader with a systematic study of visual subjectivity in comparative thought and literature, this book analyses the role that vision and visuality, especially interpersonal visuality, plays in the constitution of subject and subjectivity in Chinese and American traditions.

Produktbeschreibung
Providing the reader with a systematic study of visual subjectivity in comparative thought and literature, this book analyses the role that vision and visuality, especially interpersonal visuality, plays in the constitution of subject and subjectivity in Chinese and American traditions.
Autorenporträt
Guozhong Duan received his PhD in literary studies from the University of Texas at Dallas and is currently an associate professor of international studies in Yangzhou University, China. He has published numerous Chinese and English articles in journals and volumes including Journal of Qinghua University, Journal of Zhejiang University, Journal of Dr. Sun Yat-sen University, and Social Sciences Abroad, and Routledge Handbook of Modern Chinese Literature. Ming Dong Gu is the Katherine R. Cecil Professor in the Bass School of Arts, Humanities, Technology at the University of Texas at Dallas. He has authored five English monographs and edited three English volumes. His recent publications include The Nature and Rationale of Zen/Chan and Enlightenment (2024); Fusion of Critical Horizons in Chinese and Western Language, Poetics, and Aesthetics (2021); and Routledge Handbook of Modern Chinese Literature (2019). In addition, he has published more than 180 articles in English and Chinese journals.