This bookis a valuable resource for the student and professional actor alike, teaching the reader how to train their most essential feature-their voice. This new edition contains many updates based on advances in science, media, and technology. It also features a brand new companion website with video and audio demonstrations of the exercises.
This bookis a valuable resource for the student and professional actor alike, teaching the reader how to train their most essential feature-their voice. This new edition contains many updates based on advances in science, media, and technology. It also features a brand new companion website with video and audio demonstrations of the exercises.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Linda Gates is an actress, director, teacher, writer and Professor of Instruction in the Department of Theatre at Northwestern University where she is Head of Voice and the author of Voice for Performance and Speaking in Shakespeare's Voice: A Guide for American Actors published by Northwestern University Press. As a professional voice and dialect coach, she has worked both on and off-Broadway, in Chicago, regional theatre, opera and film. Linda Gates's special focus is coaching and directing Shakespeare and adapting poetic text for performance. She has directed with co-director Kiara Pipino The Tempest, Pericles, Much Ado About Nothing, and All's Well That Ends Well in which she played the Countess Roussillon at Prague Shakespeare Company and has directed and adapted Lysistrata by Aristophanes, The Four Quartets by T.S. Eliot; The Road Not Taken: The World of Robert Frost; American Voices: Home for the Rothermere Institute of Oxford University , and The Unabridged Journals of Sylvia Plath which she performed at the Oxford Playhouse in the UK. The Thistle and the Rose began as Linda Gates's Master's Thesis for the Gallatin College of Individual Study at New York University. Visit the author's website at https://lindagates.com/.
Inhaltsangabe
Acknowledgements Introduction Chapter I. The Actor's Voice Chapter II. Relaxation and Body Alignment Chapter III. Breathing Chapter IV. Resonance Chapter V. The Sounds of English Chapter VI. Special Speech Issues Chapter VII. Keeping Your Voice Healthy Chapter VIII. The Electronic Voice Chapter IX. Occupational Demands on the Actor's Voice Chapter X. An Approach to Text Chapter XI. The Singing Voice Bibliography Notes Index About the Author
Acknowledgements Introduction Chapter I. The Actor's Voice Chapter II. Relaxation and Body Alignment Chapter III. Breathing Chapter IV. Resonance Chapter V. The Sounds of English Chapter VI. Special Speech Issues Chapter VII. Keeping Your Voice Healthy Chapter VIII. The Electronic Voice Chapter IX. Occupational Demands on the Actor's Voice Chapter X. An Approach to Text Chapter XI. The Singing Voice Bibliography Notes Index About the Author
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