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This collection charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes. Included in the book are the full texts of "The Crab Walks" and "Crab Steps Aside" by Phil Smith, "Mourning Walk" by Carl Lavery, and "Tree" by Deirdre Heddon, each accompanied by photographs and contextual essays. Taken together or separately, the work of all three artist-scholars raises important issues about memory, the ethics of autobiographical performance, ritual, life writing, and site-specific performance.
Exemplifies the documentation and
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Produktbeschreibung
This collection charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes. Included in the book are the full texts of "The Crab Walks" and "Crab Steps Aside" by Phil Smith, "Mourning Walk" by Carl Lavery, and "Tree" by Deirdre Heddon, each accompanied by photographs and contextual essays. Taken together or separately, the work of all three artist-scholars raises important issues about memory, the ethics of autobiographical performance, ritual, life writing, and site-specific performance.
Exemplifies the documentation and contextualization of site-based performance and practice-as-research. This book allows for comparisons of three very contemporary performance events and their making, extending the possibilities of published performance texts beyond 'traditional' plays.
Autorenporträt
Roberta Mock, originally from Canada, is a performance theorist and practitioner. She is a reader in performance and associate dean for postgraduate affairs in the Faculty of Arts at the University of Plymouth. She is the editor of Performing Processes: Creating Live Performance, also published by Intellect books, and series editor of Intellect's Playtext series.