Everyone has heard dark whispers about the philosophy of Objectivism. People read Ayn Rand's novels and fall in love with her ideas, only to collapse into one of two inevitable fates: (1) eventually give up on the ideas as childish and selfish, often complaining that the philosophy is a cult, or (2) develop a religious, zealous fanaticism, obeying the tenets of the philosophy in an obsessive, robotic, mindless manner. But what is the truth about Objectivism? What is it in Rand's novels that makes a light turn on in the minds of her readers, and why does that light always flare and then burn…mehr
Everyone has heard dark whispers about the philosophy of Objectivism. People read Ayn Rand's novels and fall in love with her ideas, only to collapse into one of two inevitable fates: (1) eventually give up on the ideas as childish and selfish, often complaining that the philosophy is a cult, or (2) develop a religious, zealous fanaticism, obeying the tenets of the philosophy in an obsessive, robotic, mindless manner. But what is the truth about Objectivism? What is it in Rand's novels that makes a light turn on in the minds of her readers, and why does that light always flare and then burn out, leaving behind either anger or mindless obedience? This book argues that Objectivism has been turned into a shallow, two-dimensional cartoon caricature of what the philosophy really is, by both Objectivism's foes and its followers. The philosophy's enemies fight against, and its followers worship, a misinterpretation, not the ideas that are actually in the novels. Rand's novels present a vision of reality that is both heroic in its idealism and useful for real people in its practicality, with integrity as its highest moral value, but people forget that vision, and eventually the vision fades into the paper-thin cartoon that people think of when they hear the name Ayn Rand. This groundbreaking, innovative book looks at Objectivism in a new light, and offers an analysis, rooted in quotes from the texts of Rand's novels, that presents Objectivism as a deep, serious, thoughtful philosophy, with emotional depth and shades of gray, a philosophy of the mind designed for smart people to heighten their intellectual freedom, not merely a cult of robots or a cartoonish Right-wing extremist defense of rich businessmen. If you want to know the truth about Objectivism then read this book.
Russell Hasan was born the son of a white Jewish mother and a dark-skinned Muslim father-and that isn't the strangest thing about him. His father had ties to the mafia-nope, not the weirdest thing about him. He thought he was a gay man for many years before realizing he is agender asexual-relatively normal compared to what truly makes him strange. Do you want to know what the weirdest, strangest thing about Russell is? He's a WRITER. Yes, that's right. He writes. Why? How? Why would he want to do that to himself? How could he allow this to happen to himself? He is still trying to figure that one out. Therapy can cure lots of things and alcohol and drugs can cure other things, but the only cure for being a writer is to write, so he writes. He's not into BDSM, yet for some reason he has chosen to punish himself by having a passion for writing and a need to write. Despite having made the huge mistake of choosing to be a writer, his books have sold over 10,000 copies, so perhaps it was not the worst mistake he ever made after all. He does not have one particular bestseller but has instead spread those 10,000 sales across many books he wrote. His magical journey of self-torture begins when he has the idea for a new book, and then continues when he wakes up at 6am to write from 6am to 8am before work every day (he has a day job-he's not insane! His day job is being a lawyer, the most boring, evil job in the world, by the way), and, after many cups of Starbucks matcha tea and Coca Cola (never Pepsi-yuck!) he somehow puts words onto a page. He has written 30 books, both nonfiction and fiction, but, as something of a twist on the traditional successful indie author model, he is known more for his indie nonfiction, not his fiction. But he does write fiction. Some of his fiction is good too, probably, he hopes.
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