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This book is an attempt to respond to a text message, a textual call - to a missive sent by Tombie Rautenbach that arrived at three in the morning on 7 March 2007 - which read, « Baudrillard is dead ». But more than a eulogy, more than a mourning - if such a thing is possible - this is an attempt to think with Baudrillard, all whilst keeping in mind the fact that his work, his writing, his thought, always brings with it a little chuckle, a sly grin. So, perhaps an attempt at the impossible: thinking with a smile at a point where there might not have been much, if anything, to smile about.…mehr

Produktbeschreibung
This book is an attempt to respond to a text message, a textual call - to a missive sent by Tombie Rautenbach that arrived at three in the morning on 7 March 2007 - which read, « Baudrillard is dead ». But more than a eulogy, more than a mourning - if such a thing is possible - this is an attempt to think with Baudrillard, all whilst keeping in mind the fact that his work, his writing, his thought, always brings with it a little chuckle, a sly grin. So, perhaps an attempt at the impossible: thinking with a smile at a point where there might not have been much, if anything, to smile about. Trying never to forget that in attempting to speak with the dead, one always also runs the risk of rewriting them, writing over them, quite possibly effacing them. But, of course, Baudrillard already knew this: after all, he was the one who called for his own disappearance even before his death. So perhaps, this book is an imaginative response: a reading in fidelity to JB; not to the man - nothing so banal - nor even to his work; but a reading that opens itself to the possibility of the grin of the one who has already disappeared, to the shadow of his silent smile. The responses are composed of writings by Jeremy Fernando; alongside translations by Setsuko Adachi & Daniel Kwang Guan Chan; a poem by Laura Parker; art-works by Russell Bennetts, Cecília Erismann, Michael Kearney, Sorelle Henricus, Julia Hölzl, Grace Euna Kim, Jeanette Lamb, John WP Phillips, Kenny Png, Kristy Trinier, Sean Smith, and Berit Jane Soli-Holt. These conversations between - perhaps even attempted séances by - the various texts, modes of responses, were mediated by Yanyun Chen.
Autorenporträt
Jeremy Fernando reads, writes, and makes things.He works in the intersections of literature, philosophy, and art; and his, more than thirty, books include Reading Blindly, Living with Art, Writing Death, in fidelity, Tómate un paseo por el lado oscuro del camino, resisting art, Writing Skin, A Ghost Never Dies, The feather of Ma'at, un oeil d'or, I wish we were lovers, and Jeremy Fernando by Jeremy Fernando. His writing has also been featured in magazines and journals such as Arte al Límite, Berfrois, CTheory, Cenobio, Entropy, Full Bleed, Poiesis, Philosophy World Democracy, Queen Mob's Teahouse, Qui Parle, RIC Journal, Testo e Senso, TimeOut, and Voice & Verse Poetry Magazine, amongst others; and has been translated into the Brazilian-Portuguese, French, German, Italian, Japanese, Korean, Spanish, and Serbian. Exploring other media has led him to film, music, performance-readings, and the visual arts; and his work has been exhibited in Seoul, Vienna, Hong Kong, Lisbon, and Singapore. He has been invited to read at the Akademie der Künste in Berlin in September 2016; and to deliver a series of performance-readings at the 2018, 2020, and 2022 editions of the Bienal de la Imagen en Movimiento in Buenos Aires, the latter at which he also curated a filmic omnibus entitled reading dreaming malaya. He is the general editor of Delere Press; curates the thematic magazine One Imperative; is the Jean Baudrillard Fellow at The European Graduate School; co-creator of the private dining experience, People Table Tales; and the writer-in-residence at Appetite, the sensorial laboratory exploring the cross-roads of food, music, and art.