Part 1 'Poems'; Chapter 1 Unsigned Review Poems Composed in Odd Moments by One of Rutherford's Bright Young Men 'Rutherford American'; Chapter 2 Ezra Pound Letter to Williams; Part 2 'The Tempers'; Chapter 3 Ezra Pound Review 'New Freewoman'; Part 3 'A1 Que Quiere!'; Chapter 4 Dorothy Dudley 'A Small Garden Induced to Grow in Unlikely Surroundings' 'Poetry'; Chapter 5 Conrad Aiken Mr. Williams and His Caviar of Excessive Individualism From 'Scepticisms: Notes on Contemporary Poetry'; Part 4 'Kora in Hell: Improvisations'; Chapter 6 Ezra Pound Letter; Chapter 7 Marianne Moore Review 'Contact'; Chapter 8 Helen Birch-Bartlett on Williams' 'Colossally Nice Simplicity' 'Poetry'; Chapter 9 W.C. Blum 'Since-1914 the Wind has Blown only from Jersey' 'Dial'; Part 5 'Sour Grapes'; Chapter 10 Kenneth Burke Heaven's First Law 'Dial'; Chapter 11 Hart Crane From A Letter To Gorham Munson; Part 6 'Spring and All'; Chapter 12 Marion Strobel Middle-Aged Adolescence 'Poetry'; Chapter 13 Paul Rosenfeld On Williams' Objectivity Perception Of Truth In Dissonance 'Fleeting Patterns' From 'Port Of New York'; Chapter 14 Alfred Kreymborg From 'Troubadour: An Autobiography'; Part 7 'In the American Grain'; Chapter 15 Henry Seidel Canby Back to the Indian 'Saturday Review of Literature'; Chapter 16 Kenneth Burke Subjective History 'New York Herald Tribune Books'; Chapter 17 D. H. Lawrence American Heroes 'Nation'; Chapter 18 Hart Crane From a Letter to Waldo Frank; Chapter 19 Gorham Munson William Carlos Williams A United States Poet 'Destinations: A Canvass of American Literature Since 1900'; Part 8 'A Voyage to Pagany'; Chapter 20 Louis Zukofsky On A Portrait Of America's Beginning; Chapter 21 Morley Callaghan America Rediscovered 'New York Herald Tribune Books'; Chapter 22 Unsigned Review 'Times Literary Supplement'; Chapter 23 Unsigned Review Eccentric Narrative 'Saturday Review Of Literature'; Part 9 'The Knife of the Times and Other Stories'; Chap
Part 1 'Poems'; Chapter 1 Unsigned Review Poems Composed in Odd Moments by One of Rutherford's Bright Young Men 'Rutherford American'; Chapter 2 Ezra Pound Letter to Williams; Part 2 'The Tempers'; Chapter 3 Ezra Pound Review 'New Freewoman'; Part 3 'A1 Que Quiere!'; Chapter 4 Dorothy Dudley 'A Small Garden Induced to Grow in Unlikely Surroundings' 'Poetry'; Chapter 5 Conrad Aiken Mr. Williams and His Caviar of Excessive Individualism From 'Scepticisms: Notes on Contemporary Poetry'; Part 4 'Kora in Hell: Improvisations'; Chapter 6 Ezra Pound Letter; Chapter 7 Marianne Moore Review 'Contact'; Chapter 8 Helen Birch-Bartlett on Williams' 'Colossally Nice Simplicity' 'Poetry'; Chapter 9 W.C. Blum 'Since-1914 the Wind has Blown only from Jersey' 'Dial'; Part 5 'Sour Grapes'; Chapter 10 Kenneth Burke Heaven's First Law 'Dial'; Chapter 11 Hart Crane From A Letter To Gorham Munson; Part 6 'Spring and All'; Chapter 12 Marion Strobel Middle-Aged Adolescence 'Poetry'; Chapter 13 Paul Rosenfeld On Williams' Objectivity Perception Of Truth In Dissonance 'Fleeting Patterns' From 'Port Of New York'; Chapter 14 Alfred Kreymborg From 'Troubadour: An Autobiography'; Part 7 'In the American Grain'; Chapter 15 Henry Seidel Canby Back to the Indian 'Saturday Review of Literature'; Chapter 16 Kenneth Burke Subjective History 'New York Herald Tribune Books'; Chapter 17 D. H. Lawrence American Heroes 'Nation'; Chapter 18 Hart Crane From a Letter to Waldo Frank; Chapter 19 Gorham Munson William Carlos Williams A United States Poet 'Destinations: A Canvass of American Literature Since 1900'; Part 8 'A Voyage to Pagany'; Chapter 20 Louis Zukofsky On A Portrait Of America's Beginning; Chapter 21 Morley Callaghan America Rediscovered 'New York Herald Tribune Books'; Chapter 22 Unsigned Review 'Times Literary Supplement'; Chapter 23 Unsigned Review Eccentric Narrative 'Saturday Review Of Literature'; Part 9 'The Knife of the Times and Other Stories'; Chap
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