William Forsythe is one of the most important choreographers. As director of "The Frankfurt Ballet (1984-2004)" he has been lauded for reinvigorating the language of classical ballet. This title features a collection of essays which argues that ballet is a contemporary medium according to Forsythe.
William Forsythe is one of the most important choreographers. As director of "The Frankfurt Ballet (1984-2004)" he has been lauded for reinvigorating the language of classical ballet. This title features a collection of essays which argues that ballet is a contemporary medium according to Forsythe.
Steven Spier is Professor and Head of the School of Architecture and Design at the University of Ulster. Previously he was founding president and vice-chancellor of the HafenCity University Hamburg. He is an authority on the work of William Forsythe as well as on contemporary European, especially Swiss, architecture.
Inhaltsangabe
Introduction The Practice of Choreography Steven Spier 1. Watching the Frankfurt Ballet, 1988-2004 Roslyn Sulcas 2. Of Monsters and Puppets: After the "Robert Scott Complex" Gerald Siegmund 3. Splintered Encounters: The Critical Reception to William Forsythe in the United States, 1979-1989 Mark Franko 4. Njinsky's Heir: A Classical Company Leads Modern Dance Senta Driver 5. Timbral Architectures, Aurality's Force: Sound and Music Chris Salter 6. Dancing Music: The Intermodality of The Forsythe Company. An Auditory Turn Freya Vass-Rhee 7. Choreographic Objects William Forsythe 8. Decreation: Fragmentation and Continuity Dana Caspersen 9. Inside the Knot that Two Bodies Make Steven Spier 10. Aberrations of Gravity Heidi Gilpin 11. The Space of Memory: The Ballets Gerald Siegmund 12. Choreographic Thinking and Amateur Bodies Steven Spier
Introduction The Practice of Choreography Steven Spier 1. Watching the Frankfurt Ballet, 1988-2004 Roslyn Sulcas 2. Of Monsters and Puppets: After the "Robert Scott Complex" Gerald Siegmund 3. Splintered Encounters: The Critical Reception to William Forsythe in the United States, 1979-1989 Mark Franko 4. Njinsky's Heir: A Classical Company Leads Modern Dance Senta Driver 5. Timbral Architectures, Aurality's Force: Sound and Music Chris Salter 6. Dancing Music: The Intermodality of The Forsythe Company. An Auditory Turn Freya Vass-Rhee 7. Choreographic Objects William Forsythe 8. Decreation: Fragmentation and Continuity Dana Caspersen 9. Inside the Knot that Two Bodies Make Steven Spier 10. Aberrations of Gravity Heidi Gilpin 11. The Space of Memory: The Ballets Gerald Siegmund 12. Choreographic Thinking and Amateur Bodies Steven Spier
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