This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital to understanding the relationship of women to the art and business of filmmaking.
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital to understanding the relationship of women to the art and business of filmmaking.
Illustrations Acknowledgments Introduction Part 1: Women Filmmakers: Refocu Part 2: Close-up on the Life and Works of Auteures from Europe Part 3: Women in the Mainstrearn: Using Popular Genres In Europe Part 4: Focus on Conditions of Production: Training Funding Distribution Part 5: Women's Films through a Postcolonial Lens Part 6: National and Cultural Montages: Crossing Boundaries Part 7: Representations of and by Minority Women Part 8: Revisioning Gender and Diversity in Canada Selected Film Sources Select Bibliography About the Editors Index
Illustrations Acknowledgments Introduction Part 1: Women Filmmakers: Refocu Part 2: Close-up on the Life and Works of Auteures from Europe Part 3: Women in the Mainstrearn: Using Popular Genres In Europe Part 4: Focus on Conditions of Production: Training Funding Distribution Part 5: Women's Films through a Postcolonial Lens Part 6: National and Cultural Montages: Crossing Boundaries Part 7: Representations of and by Minority Women Part 8: Revisioning Gender and Diversity in Canada Selected Film Sources Select Bibliography About the Editors Index
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