SUSANNE KORD is Professor of German at University College London and has published widely on crime and antisemitism, ethics in horror films, women and violent crime, and many other books and essays on film (especially genre and Hollywood movies), women's literary history and reception, and eighteenth- and nineteenth-century literature and culture. She has received 6 major awards for her writing. In the interest of making some of women's unknown literature available to modern readers, she has edited four collections of plays by women and translated three dramas into English. Her major works include Murderesses in German Writing, 1720-1860 (Cambridge UP, 2013), Lovable Crooks and Loathsome Jews: Antisemitism in German and Austrian Crime Writing Before the World Wars (McFarland, 2018). Her latest book is a short exploration of Drew Goddard's meta-horror film The Cabin in the Woods (2012), forthcoming with Liverpool University Press in 2022.
Inhaltsangabe
Acknowledgments Introduction: Aesthetic Evasions and Social Consequences 1: Back to Nature: Bourgeois Aesthetic Theory and Lower-Class Poetic Practice 2: The Wild and the Civilized: Poet Making 3: The Life as the Work 4: A Literature of Labor: Poetic Images of Country Life 5: Inspired by Nature, Inspired by Love: Two Poets on Poetic Inspiration 6: Of Patrons and Critics: Reading the Bourgeois Reader Conclusion: On the Gender and Class of Art Appendix: Short Biographies of Peasant Women Writers Works Cited Index
Acknowledgments Introduction: Aesthetic Evasions and Social Consequences 1: Back to Nature: Bourgeois Aesthetic Theory and Lower-Class Poetic Practice 2: The Wild and the Civilized: Poet Making 3: The Life as the Work 4: A Literature of Labor: Poetic Images of Country Life 5: Inspired by Nature, Inspired by Love: Two Poets on Poetic Inspiration 6: Of Patrons and Critics: Reading the Bourgeois Reader Conclusion: On the Gender and Class of Art Appendix: Short Biographies of Peasant Women Writers Works Cited Index
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