The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on nineteenth-century notions of femininity and social relations. Artists discussed in the volume range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carrière, Toulmouche and Tissot.
The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on nineteenth-century notions of femininity and social relations. Artists discussed in the volume range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carrière, Toulmouche and Tissot.
Kathryn Brown is Lecturer in Modern and Contemporary Art at Loughborough University, UK. She is the author of Women Readers in French Painting 1870-1890 (2012) and (as editor and contributor) The Art Book Tradition in Twentieth-Century Europe (2013), Interactive Contemporary Art: Participation in Practice (2014) and Perspectives on Degas (2016). She has published widely on nineteenth- and twentieth-century French painting and literature. Brown is editor of the Bloomsbury series Contextualizing Art Markets.
Inhaltsangabe
Contents: Introduction Knowing others Making news A republic of readers Reading idylls Books and bodies Reading and sociability Coda: literacies and modernities Bibliography Index.
Contents: Introduction Knowing others Making news A republic of readers Reading idylls Books and bodies Reading and sociability Coda: literacies and modernities Bibliography Index.
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