Can we write womenâ s authorial roles into the history of industrial cinema in South Asia? Esha Niyogi De draws on rare archival and oral sources to explore this, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.
Can we write womenâ s authorial roles into the history of industrial cinema in South Asia? Esha Niyogi De draws on rare archival and oral sources to explore this, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.
Acknowledgments A Note on Translation and Transliteration Introduction. “I Must Be Famous to Be Heard”: Star-Authors, Female Fictions, and Transborder Modes of Women’s Cinema Part I. Maternal Modes and Infrastructural Access 1. Decoupled Maternities: Female Stars in Production Modes, Kolkata 2. Public Maternities: Women’s Companies and a Sororal Production Mode, Dhaka Part II. Corporeal Modes and Scales of National Labor 1. Performing Bodies: Entertainer Authors and Small-Scale Urdu Cinema in Lahore Studios 2. Timing Bodies: Hindi Cinema and a Female Brand Author at Bollywood Scale Part III. Familial Modes and Scales of Transnational Crossing 1. Families Out of Bounds: The Pirate Mode and Women’s Coproductions across Pakistan and Bangladesh 2. Families Torn and Found: Feminist Modes and Transnational Bangla Media Coda Notes
Acknowledgments A Note on Translation and Transliteration Introduction. “I Must Be Famous to Be Heard”: Star-Authors, Female Fictions, and Transborder Modes of Women’s Cinema Part I. Maternal Modes and Infrastructural Access 1. Decoupled Maternities: Female Stars in Production Modes, Kolkata 2. Public Maternities: Women’s Companies and a Sororal Production Mode, Dhaka Part II. Corporeal Modes and Scales of National Labor 1. Performing Bodies: Entertainer Authors and Small-Scale Urdu Cinema in Lahore Studios 2. Timing Bodies: Hindi Cinema and a Female Brand Author at Bollywood Scale Part III. Familial Modes and Scales of Transnational Crossing 1. Families Out of Bounds: The Pirate Mode and Women’s Coproductions across Pakistan and Bangladesh 2. Families Torn and Found: Feminist Modes and Transnational Bangla Media Coda Notes
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