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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Catherine Gasquoine Hartley, also known as C. Gasquoine Hartley or Mrs. Walter Gallican, was a writer and art historian renowned for her expertise in Spanish art. Born in 1867 in Antananarivo, Madagascar, she later became a significant figure in the field of art history, contributing to the understanding of Spanish art in particular. Hartley's intellectual curiosity expanded beyond art, and she wrote on subjects such as polygamy, motherhood, and sex education, reflecting her broad range of interests. Throughout her life, she was an advocate for deeper societal reflections, addressing issues that were often considered taboo at the time. She passed away on June 9, 1928, in Guildford, United Kingdom, leaving behind a legacy of both scholarly work and thought-provoking social commentary. She was the daughter of a notable family, although her parents' names are not widely recorded. Hartley's contributions, especially in the realms of social thought and the history of art, helped broaden perspectives in the early 20th century. Her works continue to be of interest to those exploring the intersections of art history, social science, and progressive movements of the period.