Working-Class Women in Irish Literature and Theatre

Emerging from the Silence
Herausgeber: Mallon, Clara; Paul, Salomé

• Gebundenes Buch

Produktbeschreibung

Working-Class Women in Irish Literature and Theatre critically engages with works of theatre both by and about working-class women historically and presently.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 254
• Erscheinungstermin: 24. Juli 2025
• Englisch
• Abmessung: 229mm x 152mm x 16mm
• Gewicht: 522g
• ISBN-13: 9781032308227
• ISBN-10: 1032308222
• Artikelnr.: 72541842

Autorenporträt

Clara Mallon recently completed her PhD thesis at the O'Donoghue Centre for Drama, Theatre and Performance, University of Galway. Her project was funded by the Irish Research Council's Postgraduate Scholarship and centres on the representation of the working class in Irish theatre and performance in Ireland. She has published with the Irish University Review, and has a number of chapters in edited collections. She occasionally lectures at University College Dublin. Salomé Paul is a Teaching Fellow in Drama Studies at University College Dublin (UCD). She completed a cotutelle PhD from Sorbonne University and UCD in 2020. She was awarded the French Government Medal and the National University of Ireland Prize for Distinction in Collaborative Degrees for her doctoral research in 2021. She was the recipient of the Two-Year Postdoctoral Scheme of the Irish Research Council from 2020 to 2022, which led to the publication of her monograph Marina Carr and Greek Tragedy: Feminist Myths of Monstrosity in 2024.

Inhaltsangabe

Introduction: No Working-Class Women in Irish Culture? by Clara Mallon and
Salomé Paul
Section One: Absent Presence: Working-Class Women in the Canon
Chapter One: "Not in Flesh": The Construction and Deconstruction of "Poor
Woman" in Irish Theatre by Salomé Paul
Chapter Two: Working-Class Actresses and Working-Class Roles: Ireland in
the 1910s and 1950s by Cathy Leeney
Chapter Three: The Juno Complex: Tracing Representations of Working-Class
Women in Contemporary Dublin Theatre by Fiona Charleton
Section Two: Class, Convergence and Consciousness on the Contemporary Stage
Chapter Four: Theatre of Grace Dyas: Classed Re-Imaginings of Social and
Cultural Histories by Clara Mallon and Salomé Paul
Chapter Five: "Who are you angry with?": Class, Race, and Conflict in the
Plays of Rosaleen McDonagh by Justine Nakase
Chapter Six: Hope in the Face of Despair: (Re)Presenting Working-Class
Women in Natural History of Hope by Clara Mallon
Chapter Seven: The Bearable, Bridgeable and the Imaginable: Deirdre
Kinahan's The Unmanageable Sisters by Eamonn Jordan
Chapter Eight: "Wakened" Solidarity: Making the Invisible Visible for
Working-Class Women in Frank McGuinness's The Factory Girls by David Cregan
Section Three: Fractured Existences: Women on the Periphery in Theatre in
the North of Ireland
Chapter Nine: Women's Work: Challenging Social Dysfunction through
Working-Class Women's Performance Practice in the North of Ireland by Ciara
L. Murphy
Chapter Ten: Confinement, Resistance and Reclaiming Space in JustUs's Just
a Prisoner's Wife by Michael Pierse
Section Four: Breaking Silence: In Conversation with Working-Class Artists
Chapter Eleven: In Conversation with Veronica Dyas
Chapter Twelve: In Conversation with Louise Lowe
Chapter Thirteen: In Conversation with Felispeaks
Chapter Fourteen: In Conversation with Emmet Kirwan