Writing About Screen Media presents strategies for writing about a broad range of media objects - including film, television, social media, advertising, video games, mobile media, music videos, and digital media - in an equally broad range of formats. The book's case studies showcase media studies' geographical and industrial breadth, with essays covering topics as varied as: Brazilian telenovelas, K-pop music videos, Bombay cinema credit sequences, global streaming services, film festivals, archives, and more. With the expertise of over forty esteemed media scholars, the collection…mehr
Writing About Screen Media presents strategies for writing about a broad range of media objects - including film, television, social media, advertising, video games, mobile media, music videos, and digital media - in an equally broad range of formats.
The book's case studies showcase media studies' geographical and industrial breadth, with essays covering topics as varied as: Brazilian telenovelas, K-pop music videos, Bombay cinema credit sequences, global streaming services, film festivals, archives, and more. With the expertise of over forty esteemed media scholars, the collection combines personal reflections about writing with practical advice. Writing About Screen Media reflects the diversity of screen media criticism and encourages both beginning and established writers to experiment with content and form.
Through its unprecedented scope, this volume will engage not only those who may be writing about film and other screen media for the first time but alsoaccomplished writers who are interested in exploring new screen media objects, new approaches to writing about media, and new formats for critical expression.
Lisa Patti is Associate Professor in the Media and Society Program at Hobart and William Smith Colleges. She is co-author (with Glyn Davis, Kay Dickinson, and Amy Villarejo) of Film Studies: A Global Introduction (2015) and co-editor (with Tijana Mamula) of The Multilingual Screen: New Reflections on Cinema and Linguistic Difference (2016).
Inhaltsangabe
Part I. New Frameworks for Writing about Screen Media 1. Introduction, Lisa Patti (Still) Learning to Write about Screen Media How to Read This Book In Practice 2. The Big Picture: Strategies for Writing about Screen Media, Lisa Patti Collaborate Frame Curate Follow (up) In Practice 3. From Screen Aesthetics to Site Design: Analyzing Form Across Screen Media, Lisa Patti Taking Notes Close Readings: Case Studies In Practice 4. Entering the Conversation: How and Where to Develop a Critical Argument, Lisa Patti What is an Argument? Thinking on the Page: Free Writing Structuring Your Argument: Outlines Setting the Scene: Introductions Telling a Story: Evidence Making a Last(ing) Impression: Conclusions In Practice 5. From Notebook to Network: When and How to Use Digital Tools, Lisa Patti Digital Resources: Reading, Watching, Writing In Praise of Paper Citation Fair Use In Practice Part II. Writers on Writing about Screen Media OBJECTS AND EVENTS 6. Writing about Transnational Cinema: Crazy Rich Asians Olivia Khoo 7. Capturing Moments: Writing about Film Festivals as Events Kirsten Stevens 8. Writing about Experimental Cinema: Andy Warhol's Empire (1964) Glyn Davis 9. From Meaning to Effect: Writing about Archival Footage Jaimie Baron 10. Making the Absent Present: Writing about Nonextant Media Allyson Nadia Field 11. Expressing Race in Brazilian Telenovelas Jasmine Mitchell 12. Writing about Music Video: Tracing the Ephemeral Carol Vernallis 13. Writing Across Divides: Locating Power in K-pop Music Videos S. Heijin Lee 14. Playing to Write: Analyzing Video Games TreaAndrea M. Russworm and Jennifer Malkowski 15. When It All Clicks: Writing about Participatory Media Lauren S. Berliner 16. Feeling Out Social Media Julie Wilson and Emily Chivers Yochim 17. "A Very Black Project": A Method for Digital Visual Culture Lauren McLeod Cramer 18. Writing about Transnational Media: From Representation to Materiality Fan Yang 19. Writing about Digital and Interactive Media Dale Hudson and Patricia R. Zimmermann 20. (Un)Limited Mobilities Rahul Mukherjee 21. Context is Key: How (and Why) You Should Write about Outdoor Advertising Beth Corzo-Duchardt METHODS AND LOCATIONS 22. How Sound Helps Tell a Story: Sound, Music, and Narrative in Vishal Bhardwaj's Omkara Nilanjana Bhattacharjya 23. Writing Outside the Text: A Cultural Approach to Exhibition and Moviegoing Jasmine Nadua Trice 24. Writing about Streaming Portals: The Drama of Distribution Ramon Lobato 25. Analyzing and Writing about Credit Sequences Monika Mehta 26. "We Are Not Thinking Frogs": The Archive, the Artifact, and the Task of the Film Historian Katherine Groo 27. Show Me the Data!: Uncovering the Evidence in Screen Media Industry Research Bronwyn Coate and Deb Verhoeven 28. Researching and Writing Across Media Industries Derek Johnson 29. The Value of Surprise: Ethnography of Media Industries Tejaswini Ganti 30. Listen Up!: Interviewing as Method Alicia Kozma 31. The Need for Translation: Difference, Footnotes, Hyperlinks Tijana Mamula FORMS AND FORMATS 32. Words and More: Strategies for Writing about and with Media Virginia Kuhn 33. Best Practices for Screen Media Podcasting Christine Becker and Kyle Wrather 34. Confessions of an Academic Blogger Henry Jenkins 35. The Research and the Remix: Video Essays as Creative Criticism Jeffrey Middents 36. Foregrounding the Invisible: Notes on the Video Essay Review Chiara Grizzaffi 37. Review, Edit, Repeat: Writing and Editing Book Reviews Alice Leppert 38. Extracurricular Scholarship: "Writing" My Audio Commentary of Losing Ground Terri Francis 39. The Short, Sweet Art of Blurb Writing Leah Shafer 40. Bridging the Gaps Between Scholarly Essays and Mass-Market Film Writing Nick Davis 41. Writing Across the Page Without a Line Holly Willis
Part I. New Frameworks for Writing about Screen Media 1. Introduction, Lisa Patti (Still) Learning to Write about Screen Media How to Read This Book In Practice 2. The Big Picture: Strategies for Writing about Screen Media, Lisa Patti Collaborate Frame Curate Follow (up) In Practice 3. From Screen Aesthetics to Site Design: Analyzing Form Across Screen Media, Lisa Patti Taking Notes Close Readings: Case Studies In Practice 4. Entering the Conversation: How and Where to Develop a Critical Argument, Lisa Patti What is an Argument? Thinking on the Page: Free Writing Structuring Your Argument: Outlines Setting the Scene: Introductions Telling a Story: Evidence Making a Last(ing) Impression: Conclusions In Practice 5. From Notebook to Network: When and How to Use Digital Tools, Lisa Patti Digital Resources: Reading, Watching, Writing In Praise of Paper Citation Fair Use In Practice Part II. Writers on Writing about Screen Media OBJECTS AND EVENTS 6. Writing about Transnational Cinema: Crazy Rich Asians Olivia Khoo 7. Capturing Moments: Writing about Film Festivals as Events Kirsten Stevens 8. Writing about Experimental Cinema: Andy Warhol's Empire (1964) Glyn Davis 9. From Meaning to Effect: Writing about Archival Footage Jaimie Baron 10. Making the Absent Present: Writing about Nonextant Media Allyson Nadia Field 11. Expressing Race in Brazilian Telenovelas Jasmine Mitchell 12. Writing about Music Video: Tracing the Ephemeral Carol Vernallis 13. Writing Across Divides: Locating Power in K-pop Music Videos S. Heijin Lee 14. Playing to Write: Analyzing Video Games TreaAndrea M. Russworm and Jennifer Malkowski 15. When It All Clicks: Writing about Participatory Media Lauren S. Berliner 16. Feeling Out Social Media Julie Wilson and Emily Chivers Yochim 17. "A Very Black Project": A Method for Digital Visual Culture Lauren McLeod Cramer 18. Writing about Transnational Media: From Representation to Materiality Fan Yang 19. Writing about Digital and Interactive Media Dale Hudson and Patricia R. Zimmermann 20. (Un)Limited Mobilities Rahul Mukherjee 21. Context is Key: How (and Why) You Should Write about Outdoor Advertising Beth Corzo-Duchardt METHODS AND LOCATIONS 22. How Sound Helps Tell a Story: Sound, Music, and Narrative in Vishal Bhardwaj's Omkara Nilanjana Bhattacharjya 23. Writing Outside the Text: A Cultural Approach to Exhibition and Moviegoing Jasmine Nadua Trice 24. Writing about Streaming Portals: The Drama of Distribution Ramon Lobato 25. Analyzing and Writing about Credit Sequences Monika Mehta 26. "We Are Not Thinking Frogs": The Archive, the Artifact, and the Task of the Film Historian Katherine Groo 27. Show Me the Data!: Uncovering the Evidence in Screen Media Industry Research Bronwyn Coate and Deb Verhoeven 28. Researching and Writing Across Media Industries Derek Johnson 29. The Value of Surprise: Ethnography of Media Industries Tejaswini Ganti 30. Listen Up!: Interviewing as Method Alicia Kozma 31. The Need for Translation: Difference, Footnotes, Hyperlinks Tijana Mamula FORMS AND FORMATS 32. Words and More: Strategies for Writing about and with Media Virginia Kuhn 33. Best Practices for Screen Media Podcasting Christine Becker and Kyle Wrather 34. Confessions of an Academic Blogger Henry Jenkins 35. The Research and the Remix: Video Essays as Creative Criticism Jeffrey Middents 36. Foregrounding the Invisible: Notes on the Video Essay Review Chiara Grizzaffi 37. Review, Edit, Repeat: Writing and Editing Book Reviews Alice Leppert 38. Extracurricular Scholarship: "Writing" My Audio Commentary of Losing Ground Terri Francis 39. The Short, Sweet Art of Blurb Writing Leah Shafer 40. Bridging the Gaps Between Scholarly Essays and Mass-Market Film Writing Nick Davis 41. Writing Across the Page Without a Line Holly Willis
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