Yorùbá Art and Aesthetics
Methodologies and Their Consequences
Herausgeber: Hallen, Barry
Yorùbá Art and Aesthetics
Methodologies and Their Consequences
Herausgeber: Hallen, Barry
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Leading Yoruba scholars and artists show how to and how not to understand the art of an African culture.
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Leading Yoruba scholars and artists show how to and how not to understand the art of an African culture.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 214
- Erscheinungstermin: 10. Juli 2025
- Englisch
- Abmessung: 222mm x 145mm x 15mm
- Gewicht: 407g
- ISBN-13: 9781350476110
- ISBN-10: 1350476110
- Artikelnr.: 72219323
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Academic
- Seitenzahl: 214
- Erscheinungstermin: 10. Juli 2025
- Englisch
- Abmessung: 222mm x 145mm x 15mm
- Gewicht: 407g
- ISBN-13: 9781350476110
- ISBN-10: 1350476110
- Artikelnr.: 72219323
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Barry Hallen has been Reader in Philosophy, Obafemi Awolowo University, Nigeria; Fellow and Associate, Du Bois Institute, Harvard University; Professor of Philosophy, Morehouse College, Atlanta, Georgia. He is author of Knowledge, Belief and Witchcraft, The Good, the Bad, and the Beautiful, African Philosophy: Analytic Approach and Short History of African Philosophy.
INTRODUCTION
1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts, Obafemi
Awolowo University)
2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History,
Virginia Commonwealth University)
3. YORÙBÁ ARTISTIC CRITICISM: Robert Farris Thompson (Colonel John Trumbull
Professor of the History of Art, Yale University)
4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen
5. YORÙBÁ AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of
the History of Art and Black Studies, Amherst College) and Babatunde Lawal
(Professor of Art History, Virginia Commonwealth University)
6. THE VERBAL, THE VISUAL, AND THE FOURTH STAGE: Rowland Abiodun (John C.
Newton Professor of the History of Art and Black Studies, Amherst College)
and Wole Soyinka (playwright, novelist, poet, and essayist)
AFTERWORD
ADDENDUM
SUPPLEMENTARY BIBLIOGRAPHY
PICTURE CREDITS
Index
1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts, Obafemi
Awolowo University)
2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History,
Virginia Commonwealth University)
3. YORÙBÁ ARTISTIC CRITICISM: Robert Farris Thompson (Colonel John Trumbull
Professor of the History of Art, Yale University)
4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen
5. YORÙBÁ AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of
the History of Art and Black Studies, Amherst College) and Babatunde Lawal
(Professor of Art History, Virginia Commonwealth University)
6. THE VERBAL, THE VISUAL, AND THE FOURTH STAGE: Rowland Abiodun (John C.
Newton Professor of the History of Art and Black Studies, Amherst College)
and Wole Soyinka (playwright, novelist, poet, and essayist)
AFTERWORD
ADDENDUM
SUPPLEMENTARY BIBLIOGRAPHY
PICTURE CREDITS
Index
INTRODUCTION
1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts, Obafemi
Awolowo University)
2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History,
Virginia Commonwealth University)
3. YORÙBÁ ARTISTIC CRITICISM: Robert Farris Thompson (Colonel John Trumbull
Professor of the History of Art, Yale University)
4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen
5. YORÙBÁ AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of
the History of Art and Black Studies, Amherst College) and Babatunde Lawal
(Professor of Art History, Virginia Commonwealth University)
6. THE VERBAL, THE VISUAL, AND THE FOURTH STAGE: Rowland Abiodun (John C.
Newton Professor of the History of Art and Black Studies, Amherst College)
and Wole Soyinka (playwright, novelist, poet, and essayist)
AFTERWORD
ADDENDUM
SUPPLEMENTARY BIBLIOGRAPHY
PICTURE CREDITS
Index
1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts, Obafemi
Awolowo University)
2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History,
Virginia Commonwealth University)
3. YORÙBÁ ARTISTIC CRITICISM: Robert Farris Thompson (Colonel John Trumbull
Professor of the History of Art, Yale University)
4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen
5. YORÙBÁ AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of
the History of Art and Black Studies, Amherst College) and Babatunde Lawal
(Professor of Art History, Virginia Commonwealth University)
6. THE VERBAL, THE VISUAL, AND THE FOURTH STAGE: Rowland Abiodun (John C.
Newton Professor of the History of Art and Black Studies, Amherst College)
and Wole Soyinka (playwright, novelist, poet, and essayist)
AFTERWORD
ADDENDUM
SUPPLEMENTARY BIBLIOGRAPHY
PICTURE CREDITS
Index







