Divided into two parts, the book first examines post-9/11 fiction, tracing how the attacks disrupted storytelling and perception by drawing from works by Don DeLillo, Cormac McCarthy, Mark Doten, and others. The second part shifts to the wars in Iraq and Afghanistan, presenting the proximal-ancillary coverage continuum, a framework that differentiates between immediate media-driven representations and reflective literary accounts by authors like Elliot Ackerman, Phil Klay, Michael Pitre, Roy Scranton, and others.
Moscaliuc's work ultimately explores the intersections of fiction, memory, and power, challenging readers to reconsider how literature not only represents catastrophe but also actively shapes its meaning.
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