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Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer's study explores the production, marketing and reception as well as the themes and style of A Clockwork Orange against the backdrop of Kubrick's previous work and of wider developments in cinema, culture and society from the 1950s to the early 1970s.
Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer's study explores the production, marketing and reception as well as the themes and style of A Clockwork Orange against the backdrop of Kubrick's previous work and of wider developments in cinema, culture and society from the 1950s to the early 1970s.
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Autorenporträt
PETER KRÄMERis a Senior Lecturer in Film Studies at the University of East Anglia, UK.
Inhaltsangabe
Contents Introduction Synopsis PART I: PRODUCTION HISTORY PART II: MARKETING AND RECEPTION I: THE US CONTROVERSY PART III: MARKETING AND RECEPTION II: THE UK CONTROVERSY PART IV: KEY THEMES AND IDEAS PART V: KEY SCENE ANALYSIS PART VI: THE LEGACY OF A CLOCKWORK ORANGE Appendices Bibliography.
Contents Introduction Synopsis PART I: PRODUCTION HISTORY PART II: MARKETING AND RECEPTION I: THE US CONTROVERSY PART III: MARKETING AND RECEPTION II: THE UK CONTROVERSY PART IV: KEY THEMES AND IDEAS PART V: KEY SCENE ANALYSIS PART VI: THE LEGACY OF A CLOCKWORK ORANGE Appendices Bibliography.
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