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Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval…mehr
Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
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Autorenporträt
Jody Enders is Distinguished Professor of French and Theatre at the University of California, Santa Barbara, USA.
Inhaltsangabe
List of Illustrations Notes on Contributors Series Preface Editor's Acknowledgements Introduction: Medieval Theatre Makes History Jody Enders University of California Santa Barbara USA 1. Institutional Frameworks Seeta Chaganti University of California Davis USA Noah Guynn University of California Davis USA and Erith Jaffe-Berg University of California at Riverside USA 2. Social Functions Kathleen Ashley University of Southern Maine Portland USA 3. Sexuality and Gender Sharon Aronson-Lehavi Tel-Aviv University Israel 4. The Environment of Theatre Laura Weigert Rutgers University USA 5. Circulation: A Peripatetic Theatre Claire Sponsler University of Iowa USA 6. Interpretations Glending Olson Cleveland State University USA 7. Communities of Production Bruce R. Burningham Illinois State University USA 8. Repertoire and Genres Donnalee Dox Texas A&M University USA 9. Technologies of Performance Katie Normington Royal Holloway University of London UK 10. Knowledge Transmission: Media and Memory Carol Symes University of Illinois at Urbana-Champaign USA Notes Bibliography Index
List of Illustrations Notes on Contributors Series Preface Editor's Acknowledgements Introduction: Medieval Theatre Makes History Jody Enders University of California Santa Barbara USA 1. Institutional Frameworks Seeta Chaganti University of California Davis USA Noah Guynn University of California Davis USA and Erith Jaffe-Berg University of California at Riverside USA 2. Social Functions Kathleen Ashley University of Southern Maine Portland USA 3. Sexuality and Gender Sharon Aronson-Lehavi Tel-Aviv University Israel 4. The Environment of Theatre Laura Weigert Rutgers University USA 5. Circulation: A Peripatetic Theatre Claire Sponsler University of Iowa USA 6. Interpretations Glending Olson Cleveland State University USA 7. Communities of Production Bruce R. Burningham Illinois State University USA 8. Repertoire and Genres Donnalee Dox Texas A&M University USA 9. Technologies of Performance Katie Normington Royal Holloway University of London UK 10. Knowledge Transmission: Media and Memory Carol Symes University of Illinois at Urbana-Champaign USA Notes Bibliography Index
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