This volume deals with the development of Chinese theatre from 1949 to 2000, covering the fluctuations of 'drama reform', spectacles of the 'Cultural Revolution', and theatre in the immediate years before the opening up of the country. The author demonstrates how Chinese dramatic traditions endured and adapted in the face of modernity and how politics and art interacted.
By combining academic rigour with a high degree of readability, this volume is both an essential guide for scholars and students in the history of the arts and general readers interested in Chinese theatre.
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