When shapes triumph over the image and are formed in the painting, abstraction bears its visions and exceeds its scope, becoming a rebirth loaded with readings and interpretations, dimensions and visual philosophy. The ones from which the abstractionists saw the world, through the small holes that argued with the first intuition of the images after the First World War, and the consequences of the philosophical idea and the optics of the search for style with the modernity of the changes and the consequences of what happened in the world, so it was characterized by its details until those images were abstracted and they absorbed the dark shadows, and contained the vast emptiness in his search and intensified the different aesthetics of the perspective with the intensity of the search for the nature of the new plastic elements, and the new absorption of the idea of ¿¿the work of art in the details. Bright with color, and sometimes dark, within the series of abstract searches for outlets of light that cross between lines and across spaces to tell about their existential and intellectual interactions and ways of explaining reality and expressive effect through color symbols and new and innovative visual elements that made the abstract school the most loaded with terminology, experimental details, and implementation innovations between each area and according to each vision. Throughout each period of time, she tried to explain it in the idea of ¿¿imagelessness and formlessness, transcending the familiar boundaries of artistic work.
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