A main goal of this book is to contribute to critical discourse and to knowledge resources to assess, critique and propose directions in contemporary urban and settlement development, in the face of rapid spontaneous urbanization of landscapes in a context of climate change and housing need. The book aims to study, track, set out and present options for landscapes and cities in Africa that are intrinsic to African culture via documentary and narrative cinema, incorporating diverse platforms of screen media. We use the term "African screen media'' to denote media presentation on various formats and platforms. This is also born out of our recognition of the fact that the term "African cinema" assumes a certain homogeneity throughout a continent of 53 countries, and that "the idea of an African cinema" has evolved with many critics to "African Cinemas" and even to the now widely used term that many scholars of African media prefer, "African screen media" (Dovey 2009, 2). This term also addresses the multiple platforms and formats representing the atomization and fracturing of distribution in contemporary streaming.
This work brings together theories and practices from the disciplines of urbanism, architecture and African cinema studies to examine some examples of how African artists are bringing attention to issues of urban precarity, climate change, survival and growth, and creativity on the continent. Theoretical references include Felwine Sarr's theory of 'Afrotopias' or 'Afrotopos' whereby the continent is a site of creative potential. Another theoretical influence with significant impact is the term "Black urbanism" as used by AbdouMaliq Simone for contemporary African cities. An alternative to modernist Western urbanism, this concept is structured around informality, creativity and improvisation.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.








