Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
After an unparalleled string of artistic and commercial triumphs in the 1950s and 1960s, Alfred Hitchcock hit a career lull with the disappointing Torn Curtain and the disastrous Topaz. In 1971, the depressed director traveled to London, the city he had left in 1939 to make his reputation in Hollywood. The film he came to shoot there would mark a return to the style for which he had become known and would restore him to international acclaim. Like The 39 Steps, Saboteur, and North by Northwest before, Frenzy repeated the classic Hitchcock trope of a man on the run from the police while chasing…mehr
After an unparalleled string of artistic and commercial triumphs in the 1950s and 1960s, Alfred Hitchcock hit a career lull with the disappointing Torn Curtain and the disastrous Topaz. In 1971, the depressed director traveled to London, the city he had left in 1939 to make his reputation in Hollywood. The film he came to shoot there would mark a return to the style for which he had become known and would restore him to international acclaim. Like The 39 Steps, Saboteur, and North by Northwest before, Frenzy repeated the classic Hitchcock trope of a man on the run from the police while chasing down the real criminal. But unlike those previous works, Frenzy also featured some elements that were new to the master of suspense's films, including explicit nudity, depraved behavior, and a brutal act that would challenge Psycho's shower scene for the most disturbing depiction of violence in a Hitchcock film. In Alfred Hitchcock's Frenzy: The Last Masterpiece, Raymond Foery recounts the history-writing, preprod
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Raymond Foery is professor of communications at Quinnipiac University and founder of their media production program. He also founded and edited a New York arts journal, The Downtown Review.
Inhaltsangabe
Acknowledgments Prologue: Over the Atlantic and Down the Thames Chapter One: Hitchcock in 1970: The Lion in Waiting Chapter Two: Property Values: The Hitchcock Standards and the First "Frenzy" Chapter Three: Working with Writers: Hitchcock and the Preparation of the Scenario Chapter Four: Working with Another Sleuth: Hitchcock and Anthony Shaffer Chapter Five: Brief Inter-title: Looking for a Lost London Chapter Six: Cattle Calls: Ruminating over a Cast Chapter Seven: The 13-week Production: Mornings and Afternoons on the Set Chapter Eight: Shooting the Signature Sequences, Part I: Hitchcock as a Master of Montage Chapter Nine: Shooting the Signature Sequences, Part II: Hitchcock as the master of Mise-en-scene and the Moving Camera Chapter Ten: Brief Inter-title: Looking for a Lost Partner OR "Hitchcock in Love" Chapter Eleven: Adventures in Post-production Chapter Twelve: Releasing the Film: Creating a Frenzy around Frenzy Chapter Thirteen: Critical Acclaim and Box-office Redemption Chapter Fourteen: The Response from the Academy Chapter Fifteen: Hitchcock and Women; Hitch and His Women Chapter Sixteen: Forty Years Later Postscript: Becoming Sir Alfred Appendix A: Frenzy Cast and Crew Appendix B: Frenzy Scene List Works Cited About the Author
Acknowledgments Prologue: Over the Atlantic and Down the Thames Chapter One: Hitchcock in 1970: The Lion in Waiting Chapter Two: Property Values: The Hitchcock Standards and the First "Frenzy" Chapter Three: Working with Writers: Hitchcock and the Preparation of the Scenario Chapter Four: Working with Another Sleuth: Hitchcock and Anthony Shaffer Chapter Five: Brief Inter-title: Looking for a Lost London Chapter Six: Cattle Calls: Ruminating over a Cast Chapter Seven: The 13-week Production: Mornings and Afternoons on the Set Chapter Eight: Shooting the Signature Sequences, Part I: Hitchcock as a Master of Montage Chapter Nine: Shooting the Signature Sequences, Part II: Hitchcock as the master of Mise-en-scene and the Moving Camera Chapter Ten: Brief Inter-title: Looking for a Lost Partner OR "Hitchcock in Love" Chapter Eleven: Adventures in Post-production Chapter Twelve: Releasing the Film: Creating a Frenzy around Frenzy Chapter Thirteen: Critical Acclaim and Box-office Redemption Chapter Fourteen: The Response from the Academy Chapter Fifteen: Hitchcock and Women; Hitch and His Women Chapter Sixteen: Forty Years Later Postscript: Becoming Sir Alfred Appendix A: Frenzy Cast and Crew Appendix B: Frenzy Scene List Works Cited About the Author
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826