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The photographer, filmmaker and theorist Allan Sekula (1951-2013) was one of the most significant media intellectuals of the last fifty years, renowned for a sequence of compelling anti-capitalist artworks. This penetrating study pursues surprising paths through his practice, delineating the depicted top¿ics as well as his dialectics of form. Posing new questions about the relätions between aesthetics and politics, Gail Day and Steve Edwards consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism.

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Produktbeschreibung
The photographer, filmmaker and theorist Allan Sekula (1951-2013) was one of the most significant media intellectuals of the last fifty years, renowned for a sequence of compelling anti-capitalist artworks. This penetrating study pursues surprising paths through his practice, delineating the depicted top¿ics as well as his dialectics of form. Posing new questions about the relätions between aesthetics and politics, Gail Day and Steve Edwards consider Sekula's examination of image modes alongside his radical investigations of terraqueous capitalism.

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Autorenporträt
Onetime steelworker and Northern Soul dance champion, Steve Edwards is now Professor of History & Theory of Photography at Birkbeck, University of London. His publications have been translated into twelve languages and include: The Making of English Photography, Allegories; Photography: A Very Short Introduction; and Martha Rosler the Bowery in two inadequate descriptive systems. He is an editorial member of Oxford Art Journal and the Historical Materialism Book Series, as well as a convenor for the research seminar Marxism in Culture. Gail Day's Dialectical Passions: Negation and Postwar Art Theory was shortlisted for the Isaac & Tamara Deutscher Prize. She is Professor of Art History and Critical Theory at the University of Leeds. She co-convenes the Marxism in Culture research seminar. She collaborated on the research programme Aesthetic Form & Uneven Modernity with Centro de Estudos Desmanche e Formä¿o de Sistemas Simb¿licos at Universidade de S¿o Paulo. Meeting Steve years later, she belonged to a rival faction at the same Black Country discos.
Rezensionen
An audacity at once political and aesthetic, Allan Sekula's critical realist intervention--produced during the peak years of modernist consensus--emerges here in all its forceful untimeliness Kristin Ross, author of The Politics and Poetics of Everyday life