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In "Amusement Only," Richard Marsh crafts a compelling narrative that delves into the underbelly of early 20th-century entertainment, weaving a tale that explores the intersection of desire, morality, and modernity. Set against the backdrop of London's vibrant leisure culture, the novel employs a rich, descriptive style that captures the excitement and danger of amoral pursuits. Marsh's use of psychological depth and atmospheric settings not only reveals the temptations of this burgeoning era but also critiques the societal values that allow such vices to flourish, drawing a nuanced portrait…mehr

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Produktbeschreibung
In "Amusement Only," Richard Marsh crafts a compelling narrative that delves into the underbelly of early 20th-century entertainment, weaving a tale that explores the intersection of desire, morality, and modernity. Set against the backdrop of London's vibrant leisure culture, the novel employs a rich, descriptive style that captures the excitement and danger of amoral pursuits. Marsh's use of psychological depth and atmospheric settings not only reveals the temptations of this burgeoning era but also critiques the societal values that allow such vices to flourish, drawing a nuanced portrait of a world on the brink of modernity. Richard Marsh, an acclaimed author and a contemporary of the fin-de-siv®cle literary movement, was influenced by his fascination with the supernatural and the complexities of human nature. His own experiences as a novelist and journalist shaped his perceptions of the entertainment industry, prompting him to explore the darker side of amusement in an age where technology and spectacle began to redefine human interaction. Marsh's oeuvre reflects his keen interest in the conflicts between social expectation and personal desire, making him a significant voice in understanding the cultural dynamics of his time. "Amusement Only" is highly recommended for readers interested in the psychological intricacies of character development and the thematic exploration of societal constraints. Marsh's vivid prose and thoughtful critique serve as an engaging lens through which to examine contemporary issues of pleasure and excess. This novel not only entertains but invites contemplation of the moral implications of amusement in both the past and present.

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Autorenporträt
Richard Marsh, a pseudonym used by English author Richard Bernard Heldmann, was born on October 12, 1857, and died on August 9, 1915. Author of numerous best-selling books during the late 19th and early 20th centuries, Marsh is most known today for his supernatural thriller The Beetle, which came out the same year as Bram Stoker's Dracula (1897) and was initially sold six times more than the latter book. The Beetle was published until 1960. In addition to writing many short tales, Marsh authored about 80 volumes of fiction in the horror, crime, romance, and humor genres. Starting with The Beetle in 2004, many of these have been reissued in the last few years. Robert Aickman was a well-known author of short "strange stories" and the grandson of Marsh. On October 12, 1857, Richard Bernard Heldmann was born in North London, the son of lace manufacturer Emma Marsh (1830-1911) and trader Joseph Heldmann (1827-96). In 1880, Heldmann started releasing fiction in the style of adventure and boys' school tales for magazine publications. The most significant of these was Union Jack, a prestigious weekly journal for boys published in association with writers W.H.G. Kingston (1814-80) and G. A. Henty (1832-1902).