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Every age had dominant women. We just never wrote them down... Until now.
In this daring, intelligent, and unapologetically filthy collection, Anna Voss rewrites the canon of English literature through a single, radical conceit:
What if the great authors of the past had been free to imagine dominant women, submissive men, and the delicious ache of erotic surrender?
Across seven hundred years of styles and settings, Voss inhabits the authentic voices of the writers that you've read about - Raymond Chandler's whisky and trenchcoats, Saki's wit, Charlotte Perkins Gilman's gothic
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Produktbeschreibung
Every age had dominant women. We just never wrote them down... Until now.

In this daring, intelligent, and unapologetically filthy collection, Anna Voss rewrites the canon of English literature through a single, radical conceit:

What if the great authors of the past had been free to imagine dominant women, submissive men, and the delicious ache of erotic surrender?

Across seven hundred years of styles and settings, Voss inhabits the authentic voices of the writers that you've read about - Raymond Chandler's whisky and trenchcoats, Saki's wit, Charlotte Perkins Gilman's gothic terror, Jane Austen's proprieties, Chaucer's fabliau filth - and gives each of them the femdom they never wrote... but could have.

The result is not parody, but possibility: stories where the female character's pleasure - and the male's helpless submission - is the highest bliss either of them can achieve.

Whether it's Tess Lovedue manipulating Regency social codes to make George D'Ascoigne kneel in mortification, Clotilde de Troyes orchestrating scandal in an Edwardian library while her prey gasps beneath her skirts, or Claire the "hotwife" humiliating her caged husband in joyous fabliau rhyme, every tale returns to one truth: women's power, wit, and cruelty have always been with us.

And yes - it's still smut. There are cages, there is oral worship, there's Anna Voss's trademark orgasm denial. Each piece ends with a sonnet, offering the heroine her own voice and perspective in Shakespeare's most enduring form.

This collection of femdom short stories isn't out to make jokes at the expense of the "greats" - yes, it's partly a game - but it's a serious one, because each story asks a question that the canon of Great Literature does its best to hide: what if those authors had allowed women to dominate openly? If the truths we whisper now - that submissive men are everywhere, and that dominant women are wonderful - had been written down two centuries earlier... maybe your English Lessons would have been more fun.

Within this collection you'll find:

  • Raymond Chandler rewritten: a noir detective undone by the femme fatale who won't give "yes" as an answer;
  • Saki reborn: Edwardian social comedy collapsing into gleeful oral servitude amidst the chaos of a formal house party;
  • Charlotte Perkins Gilman reimagined: The Yellow Wallpaper warped into an even-more gothic horror - The Red Wallpaper;
  • Jane Austen rearmed: Regency society bent to serve a humiliatrix's quest for an advantageous marriage;
  • Chaucer reanimated: Chaucer already wrote cuck porn - but here Voss gives the hotwife the final say.


Some pieces are funny, some cruel, some frighteningly intense. All are true to the Anna Voss philosophy: the woman's orgasm is the centre, the man's denial is the cost, and the ache of his surrender is what makes both beautiful.

Whether you come for the prose or the porn, this collection is here to remind you of one thing: femdom has always been with us. Even if the literary greats were too busy kneeling to ever write it down.


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Autorenporträt
Anna Voss writes deviant, literary femdom erotica from the depths of her own imagination (and a secret location in the English countryside): her hallmarks are male denial, the reality of female pleasure, and the inevitable symbiosis of both.

Her works take equal pleasure in bending an existing genre to expose a femdom core as they do in mapping the intricate ways a woman's power can teach a tongue to worship - for there are many, and Voss revels in them all.

A recovering librarian, Anna still finds an abiding pleasure in silence, service, and the richness of the erotic narrative she weaves from the shadows of her mind.

Still, she hopes no one can tell what she's thinking. Especially when she's smiling.