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WINNER OF THE UNT RILKE PRIZE
How does it feel to experience another city? To stand beneath tall buildings, among the countless faces of a crowd? To attempt to be heard above the din?
The poems of Another Citytravel inward and outward at once: into moments of self-reproach and grace, and to those of disassociation and belonging. From experiences defined by an urban landscape-a thwarted customer at the door of a shuttered bookstore in Crete, a chance encounter with a might-have-been lover in Copenhagen-to the streets themselves, where "an alley was a comma in the agony's grammar," in…mehr

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WINNER OF THE UNT RILKE PRIZE

How does it feel to experience another city? To stand beneath tall buildings, among the countless faces of a crowd? To attempt to be heard above the din?

The poems of Another Citytravel inward and outward at once: into moments of self-reproach and grace, and to those of disassociation and belonging. From experiences defined by an urban landscape-a thwarted customer at the door of a shuttered bookstore in Crete, a chance encounter with a might-have-been lover in Copenhagen-to the streets themselves, where "an alley was a comma in the agony's grammar," in David Keplinger's hands startling images collide and mingle like bodies on a busy thoroughfare.

Yet Another Citydeftly spans not only the physical space of global cities, but more intangible and intimate distances: between birth and death, father and son, past and present, metaphor and reality. In these poems, our entry into the world is when "the wound, called loneliness, / opens," and our voyage out of it is through a foreign but not entirely unfamiliar constellations of cities: Cherbourg, Manila, Port-au-Prince.

This is a rich portrait of the seemingly incommunicable expanses between people, places, and ideas-and the ability of a poem to transcend the void.

Autorenporträt
David Keplinger is the author of five volumes of poetry. He has won the T.S. Eliot Prize, the C.P. Cavafy Poetry Prize, the Erskine J. Poetry Prize, and the Colorado Book Award, as well as two fellowships from the National Endowment for the Arts and grants from the DC, Danish, and Pennsylvania Councils on the Arts. He directs the MFA program in creative writing at American University in Washington, DC.