Eduardo Navas
Art, Media Design, and Postproduction (eBook, PDF)
Open Guidelines on Appropriation and Remix
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Eduardo Navas
Art, Media Design, and Postproduction (eBook, PDF)
Open Guidelines on Appropriation and Remix
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Art, Media Design, and Postproduction: Open Guidelines on Remix and Appropriation is a set of open-ended guidelines for art or design studio-based projects in any discipline.
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Art, Media Design, and Postproduction: Open Guidelines on Remix and Appropriation is a set of open-ended guidelines for art or design studio-based projects in any discipline.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 226
- Erscheinungstermin: 19. Juni 2018
- Englisch
- ISBN-13: 9781315453248
- Artikelnr.: 56835436
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 226
- Erscheinungstermin: 19. Juni 2018
- Englisch
- ISBN-13: 9781315453248
- Artikelnr.: 56835436
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Eduardo Navas teaches on the principles of cultural analytics and digital humanities at The Pennsylvania State University, researching the creative and political role of recyclability and remix in art, media and culture. He has lectured across the US, and has published two books on remix studies.
Acknowledgments
List of Figures
Introduction
General Remix Principles and Key Terms
Part 1: Media Production
Chapter 1: Randomized Signification - Elements for Exchange
Chapter 2: Analogized Codification - Mashups of Image and Text
Chapter 3: Sampling Creativity - Material Sampling and Cultural Citation
Chapter 4: Vectorial Pixels - Visual Aesthetics of Binary Code
Chapter 5: Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
Chapter 6: Domesticated Noise - Manipulation of Sound
Chapter 7: Visual Aurality - Image and Sound as Data
Chapter 8: Versioning Time-Based Media - Reedits of Video and Sound
Chapter 9: Time-Based Media in Physical Space - Loops in Video and Sound
Installations
Chapter 10: The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
Chapter 11: Media Mashups - Appropriation and Remix of Image, Sound, and
Text
Chapter 12: Regenerative Motion - Correlated Time Based Media
Chapter 13: Reflexive Mashups - Aesthetics of Data Driven Objects
Chapter 14: Distributed Collaboration - Collective Work Across Networks
Chapter 15: Aesthetics of Negation - The Negative Selective Process
Essay: The Prefix and Post Production
Part 4: Metacreativity
Chapter 16: Visual Analytics: Image Mining and Artificial Intelligence
Chapter 17: Textual Analytics: Text-Mining and Artificial Intelligence
Chapter 18: Sound Analytics: Sound-Mining and Automation
Chapter 19: Creative Prompts: Artificial Intelligence for Image and Text
Production
Chapter 20: Automated Bifurcations: Artificial Intelligence and Media
Production
Essay: Metacreativity and AI Aesthetics
Index
List of Figures
Introduction
General Remix Principles and Key Terms
Part 1: Media Production
Chapter 1: Randomized Signification - Elements for Exchange
Chapter 2: Analogized Codification - Mashups of Image and Text
Chapter 3: Sampling Creativity - Material Sampling and Cultural Citation
Chapter 4: Vectorial Pixels - Visual Aesthetics of Binary Code
Chapter 5: Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
Chapter 6: Domesticated Noise - Manipulation of Sound
Chapter 7: Visual Aurality - Image and Sound as Data
Chapter 8: Versioning Time-Based Media - Reedits of Video and Sound
Chapter 9: Time-Based Media in Physical Space - Loops in Video and Sound
Installations
Chapter 10: The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
Chapter 11: Media Mashups - Appropriation and Remix of Image, Sound, and
Text
Chapter 12: Regenerative Motion - Correlated Time Based Media
Chapter 13: Reflexive Mashups - Aesthetics of Data Driven Objects
Chapter 14: Distributed Collaboration - Collective Work Across Networks
Chapter 15: Aesthetics of Negation - The Negative Selective Process
Essay: The Prefix and Post Production
Part 4: Metacreativity
Chapter 16: Visual Analytics: Image Mining and Artificial Intelligence
Chapter 17: Textual Analytics: Text-Mining and Artificial Intelligence
Chapter 18: Sound Analytics: Sound-Mining and Automation
Chapter 19: Creative Prompts: Artificial Intelligence for Image and Text
Production
Chapter 20: Automated Bifurcations: Artificial Intelligence and Media
Production
Essay: Metacreativity and AI Aesthetics
Index
Acknowledgments
List of Figures
Introduction
General Remix Principles and Key Terms
Part 1: Media Production
Chapter 1: Randomized Signification - Elements for Exchange
Chapter 2: Analogized Codification - Mashups of Image and Text
Chapter 3: Sampling Creativity - Material Sampling and Cultural Citation
Chapter 4: Vectorial Pixels - Visual Aesthetics of Binary Code
Chapter 5: Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
Chapter 6: Domesticated Noise - Manipulation of Sound
Chapter 7: Visual Aurality - Image and Sound as Data
Chapter 8: Versioning Time-Based Media - Reedits of Video and Sound
Chapter 9: Time-Based Media in Physical Space - Loops in Video and Sound
Installations
Chapter 10: The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
Chapter 11: Media Mashups - Appropriation and Remix of Image, Sound, and
Text
Chapter 12: Regenerative Motion - Correlated Time Based Media
Chapter 13: Reflexive Mashups - Aesthetics of Data Driven Objects
Chapter 14: Distributed Collaboration - Collective Work Across Networks
Chapter 15: Aesthetics of Negation - The Negative Selective Process
Essay: The Prefix and Post Production
Part 4: Metacreativity
Chapter 16: Visual Analytics: Image Mining and Artificial Intelligence
Chapter 17: Textual Analytics: Text-Mining and Artificial Intelligence
Chapter 18: Sound Analytics: Sound-Mining and Automation
Chapter 19: Creative Prompts: Artificial Intelligence for Image and Text
Production
Chapter 20: Automated Bifurcations: Artificial Intelligence and Media
Production
Essay: Metacreativity and AI Aesthetics
Index
List of Figures
Introduction
General Remix Principles and Key Terms
Part 1: Media Production
Chapter 1: Randomized Signification - Elements for Exchange
Chapter 2: Analogized Codification - Mashups of Image and Text
Chapter 3: Sampling Creativity - Material Sampling and Cultural Citation
Chapter 4: Vectorial Pixels - Visual Aesthetics of Binary Code
Chapter 5: Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
Chapter 6: Domesticated Noise - Manipulation of Sound
Chapter 7: Visual Aurality - Image and Sound as Data
Chapter 8: Versioning Time-Based Media - Reedits of Video and Sound
Chapter 9: Time-Based Media in Physical Space - Loops in Video and Sound
Installations
Chapter 10: The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
Chapter 11: Media Mashups - Appropriation and Remix of Image, Sound, and
Text
Chapter 12: Regenerative Motion - Correlated Time Based Media
Chapter 13: Reflexive Mashups - Aesthetics of Data Driven Objects
Chapter 14: Distributed Collaboration - Collective Work Across Networks
Chapter 15: Aesthetics of Negation - The Negative Selective Process
Essay: The Prefix and Post Production
Part 4: Metacreativity
Chapter 16: Visual Analytics: Image Mining and Artificial Intelligence
Chapter 17: Textual Analytics: Text-Mining and Artificial Intelligence
Chapter 18: Sound Analytics: Sound-Mining and Automation
Chapter 19: Creative Prompts: Artificial Intelligence for Image and Text
Production
Chapter 20: Automated Bifurcations: Artificial Intelligence and Media
Production
Essay: Metacreativity and AI Aesthetics
Index