Charles Reeve
Artists and Their Autobiographies from Today to the Renaissance and Back (eBook, PDF)
Symptoms of Sincerity
40,95 €
40,95 €
inkl. MwSt.
Sofort per Download lieferbar
20 °P sammeln
40,95 €
Als Download kaufen
40,95 €
inkl. MwSt.
Sofort per Download lieferbar
20 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
40,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
20 °P sammeln
Charles Reeve
Artists and Their Autobiographies from Today to the Renaissance and Back (eBook, PDF)
Symptoms of Sincerity
- Format: PDF
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung

Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.

Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Reading lifewriting that runs from Tracey Emin, Faith Ringgold and Judy Chicago to Marie Bashkirtseff, Benvenuto Cellini and beyond, Artists and Their Autobiographies from Today to the Renaissance and Back investigates the intriguing doubled truths of artists' autobiographies: truth in life and truth in art.
- Geräte: PC
- mit Kopierschutz
- eBook Hilfe
Andere Kunden interessierten sich auch für
- Charles ReeveArtists and Their Autobiographies from Today to the Renaissance and Back (eBook, ePUB)40,95 €
- Writers' Houses and the Making of Memory (eBook, PDF)49,95 €
- Making Art History (eBook, PDF)55,95 €
- Susanne KüchlerA Return to the Object (eBook, PDF)39,95 €
- James ElkinsWhat Painting Is (eBook, PDF)39,95 €
- Kate HolmesFemale Aerialists in the 1920s and Early 1930s (eBook, PDF)40,95 €
- Francis HalsallContemporary Art, Systems and the Aesthetics of Dispersion (eBook, PDF)20,95 €
-
-
-
Reading lifewriting that runs from Tracey Emin, Faith Ringgold and Judy Chicago to Marie Bashkirtseff, Benvenuto Cellini and beyond, Artists and Their Autobiographies from Today to the Renaissance and Back investigates the intriguing doubled truths of artists' autobiographies: truth in life and truth in art.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 188
- Erscheinungstermin: 25. November 2022
- Englisch
- ISBN-13: 9781000783759
- Artikelnr.: 65984642
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 188
- Erscheinungstermin: 25. November 2022
- Englisch
- ISBN-13: 9781000783759
- Artikelnr.: 65984642
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Charles Reeve is Associate Professor of Art History at OCAD University, where he is Chair of Liberal Studies. He is past President of the Universities Art Association of Canada and Co-editor, with Rachel Epp Buller, of Inappropriate Bodies: Art, Design, and Maternity (2019).
Introduction: How to Use This Book
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the
Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the
Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie
Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography
and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the
Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the
Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie
Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography
and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Introduction: How to Use This Book
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Introduction: How to Use This Book
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the
Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the
Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie
Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography
and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the
Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the
Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie
Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography
and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Introduction: How to Use This Book
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again
Chapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble
Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the Authentically Insincere
Chapter 3: Andy Warhol's Deaths and the Assembly-Line Autobiography
Chapter 4: Bitter Whimsy: Saul Steinberg's Reflections and Shadows
Chapter 5: Explicit Metaphor: Judy Chicago's Self-Refashioning
Chapter 6: From Art to Life: Faith Ringgold's Flights of Imagination
Chapter 7: Crossing Borders: Leonora Carrington, Autopathography and the Porous Self
Chapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie Bashkirtseff and the Irony of the Self
Chapter 9: Lifewriting, Imperialism, Collage: Mary Delany's Autobiography and Correspondence
Chapter 10: False Starts: Cellini, Hogarth, Diderot...and Back Again