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This collection of essays aims to reassess the activities and legacy of the Italian Futurist movement from an international and interdisciplinary perspective.
This collection of essays aims to reassess the activities and legacy of the Italian Futurist movement from an international and interdisciplinary perspective.
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Autorenporträt
Elza Adamowicz is Professor of French Literature and Visual Culture at Queen Mary University of London Simona Storchi is Lecturer in Italian at the University of Leicester
Inhaltsangabe
Introduction: Elza Adamowicz and Simona Storchi 1. Engaging the crowd: the Futurist manifesto as avant garde advertisement Matthew D. McLendon 2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna Jennifer Griffiths 3. 'Out of touch': F. T. Marinetti's Il tattilismo and the Futurist critique of separation Pierpaolo Antonello 4. La bomba romanzo esplosivo, or Dada's burning heart Dafydd Jones 5. Futurist canons and the development of avant garde historiography (Futurism Expressionism Dada) Maria Elena Versari 6. 'An infinity of living forms, representative of the absolute'?: reading Futurism with Pierre Albert Birot as witness, creative collaborator, dissenter Debra Kelly 7. The dispute over simultaneity: Boccioni Delaunay, interpretational error or Bergsonian practice? Delphine Bière 8. Fernand Léger's La Noce: the bride stripped bare? Elza Adamowicz, 9. Nocturnal itineraries: occultism and the metamorphic self in Florentine Futurism Paola Sica 10. 'A hysterical hullo bulloo about motor cars': the Vorticist critique of Futurism, 1914 19 Jonathan Black 11. Futurist performance, 1910 16 Günter Berghaus 12. Le Roi Bombance: the original Futurist cookbook? Selena Daly 13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading John J. White 14. Visual approaches to Futurist aeropoetry Willard Bohn 15. The Untamables: language and politics in Gramsci and Marinetti Sascha Bru 16. The dark side of Futurism: Marinetti and war Marja Härmänmaa 17. Rethinking interdisciplinarity: Futurist cinema as metamedium Carolina Fernández Castrillo 18. A very beautiful day after tomorrow: Luca Buvoli and the legacy of Futurism Elisa Sai Index
Introduction: Elza Adamowicz and Simona Storchi 1. Engaging the crowd: the Futurist manifesto as avant garde advertisement Matthew D. McLendon 2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna Jennifer Griffiths 3. 'Out of touch': F. T. Marinetti's Il tattilismo and the Futurist critique of separation Pierpaolo Antonello 4. La bomba romanzo esplosivo, or Dada's burning heart Dafydd Jones 5. Futurist canons and the development of avant garde historiography (Futurism Expressionism Dada) Maria Elena Versari 6. 'An infinity of living forms, representative of the absolute'?: reading Futurism with Pierre Albert Birot as witness, creative collaborator, dissenter Debra Kelly 7. The dispute over simultaneity: Boccioni Delaunay, interpretational error or Bergsonian practice? Delphine Bière 8. Fernand Léger's La Noce: the bride stripped bare? Elza Adamowicz, 9. Nocturnal itineraries: occultism and the metamorphic self in Florentine Futurism Paola Sica 10. 'A hysterical hullo bulloo about motor cars': the Vorticist critique of Futurism, 1914 19 Jonathan Black 11. Futurist performance, 1910 16 Günter Berghaus 12. Le Roi Bombance: the original Futurist cookbook? Selena Daly 13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading John J. White 14. Visual approaches to Futurist aeropoetry Willard Bohn 15. The Untamables: language and politics in Gramsci and Marinetti Sascha Bru 16. The dark side of Futurism: Marinetti and war Marja Härmänmaa 17. Rethinking interdisciplinarity: Futurist cinema as metamedium Carolina Fernández Castrillo 18. A very beautiful day after tomorrow: Luca Buvoli and the legacy of Futurism Elisa Sai Index
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