This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven's life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a 'dedication', a concept which extends far beyond the dedication of musical works.
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John Suchet, Writer and Radio Presenter
'This book is everything from an indispensable reference tool to a compelling narrative account of a favourite composer through an unusual lens, shedding enlightenment upon a splendid array of personalities: patrons, friends, fellow-musicians, hoped-for donors and more, and we are in Dr Pereira's debt.'
Musical Opinion (July-September 2021 issue)
'A treasure trove of Beethoveniana....A book that...takes you by the hand and won't let go....Pereira's study is likely to remain the standard work on the subject for generations to come.'
Gramophone (Febuary 2022 issue)








