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"You think it is pleasant watching a fat virgin become infertile? I want to be seen and noticed and invited by people. I want anything... that is not this." Past her prime, Min joyfully spends her life caring for her sick, foul-mouthed mother, Balbir. Today, for the first time in years, they¿re off out. Mother and daughter head to the local Sikh Temple, but when Balbir encounters old friends, a past trauma rears its ugly head. Min and Balbir¿s illusions are about to be shattered as they become immersed in a world of desperate aspiration and dangerous deals. In a community where public…mehr
"You think it is pleasant watching a fat virgin become infertile? I want to be seen and noticed and invited by people. I want anything... that is not this."
Past her prime, Min joyfully spends her life caring for her sick, foul-mouthed mother, Balbir. Today, for the first time in years, they¿re off out. Mother and daughter head to the local Sikh Temple, but when Balbir encounters old friends, a past trauma rears its ugly head. Min and Balbir¿s illusions are about to be shattered as they become immersed in a world of desperate aspiration and dangerous deals.
In a community where public honour is paramount, is there any room for the truth? Behzti was scheduled to open at The Door (Birmingham Rep) in December 2004 but was cancelled due to protests by some members of the local Sikh community.
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Autorenporträt
Gurpreet Kaur Bhatti writes for stage, screen and radio.
Her first play Behsharam broke box office records at Soho Theatre/Birmingham Rep. Her second play Behzti was sensationally closed after protests at the Birmingham Rep and sparked an international debate about freedom of expression. Behzti won the Susan Smith Blackburn Prize. Other credits include Choir, Chichester Festival Theatre; Marriage Material, Lyric Hammersmith/Birmingham Rep; Scenes From Lost Mothers, Clean Break; A Kind of People, Royal Court Downstairs; Khandan, Royal Court Upstairs/Birmingham Rep; Behud, Soho Theatre/Coventry Belgrade; Silence, Donmar Warehouse; 846, Stratford East; Elephant, Birmingham Rep; Dishoom, Rifco/Watford Palace Theatre; Fourteen, Watford Palace Theatre; the feature film Everywhere And Nowhere; DCI Stone, Radio 4; Londonee, Rich Mix; Dead Meat, Channel 4 and An Enemy Of The People, BBC. She was a core writer on The Archers, part of the team who created the ground-breaking Helen and Rob domestic violence story and has written for EastEnders and Hollyoaks.
She is developing various projects for stage and screen including original series Masala for Hometeam/Universal, as well as Brando's Bride by Sarah Broughton as a feature for Ffilm Cymru and writing her hit show Scenes From Lost Mothers as a film. Baby, a new play for Clean Break, will be produced at Brixton House in 2026.
She is a member of BAFTA, a trustee of the Peggy Ramsay Foundation, an ambassador for Birth Companions, a charity that works to improve the lives of women and babies who experience inequality and disadvantage and a Fellow of the Royal Society of Literature.
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