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This essential overview of the large body of Beowulf criticism takes a chronological approach, moving from eighteenth-century reactions to twenty-first-century responses. Jodi-Anne George charts the changes in critical trends and also discusses popular culture's continuing fascination with the Old English poem.
This essential overview of the large body of Beowulf criticism takes a chronological approach, moving from eighteenth-century reactions to twenty-first-century responses. Jodi-Anne George charts the changes in critical trends and also discusses popular culture's continuing fascination with the Old English poem.
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Autorenporträt
JODI-ANNE GEORGE is Senior Lecturer in English at the University of Dundee, UK, where she also runs the JOOT Theatre Company.
Inhaltsangabe
Acknowledgements Introduction: Hwaet! 'Rude beginning': 1705-1899 'Conflicting babel': 1900-1931 The Monsters Meet the Critics: the 1930s and 1940s The Debates Continue: the 1950s and 1960s Stock-taking: the 1970s Critics on the Crest of a Wave: the 1980s An Embarrassment of Critical Riches: the 1990s-Present 'Beowulf'in Popular Culture Conclusion Notes Select Bibliography Index.
Acknowledgements Introduction: Hwaet! 'Rude beginning': 1705-1899 'Conflicting babel': 1900-1931 The Monsters Meet the Critics: the 1930s and 1940s The Debates Continue: the 1950s and 1960s Stock-taking: the 1970s Critics on the Crest of a Wave: the 1980s An Embarrassment of Critical Riches: the 1990s-Present 'Beowulf'in Popular Culture Conclusion Notes Select Bibliography Index.
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