Agnon's writing moves between exile and return, enacting dramas of presence and absence, and attachment and loss. From the images of sacred texts found in some of his short fiction to the ideological conflicts that inform his larger novels, this book traces the geographical-cultural sweep of Agnon's writing, as it moves through Eastern and Western Europe, positioning the Diaspora in relation to a Jerusalem that is both mundane and spiritual.
Hoffman examines the ways in which Agnon's writing produces an autobiographical myth that joins the figure of the writer to the life-history of the larger community of Israel. Moving from stories of writer and writing to the broader cultural canvas of several major novels, the author concludes with an analysis of the ways in which the fiction prompts interrogation of major cultural constructions concerning gender, the formative passage of the subject through the Oedipus complex, and the dissociation of culture from the body.
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