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This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of…mehr
This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.
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Autorenporträt
Andrew Spicer, Professor of Cultural Production at the University of the West of England, UK, has published widely on British cinema, masculinity and film noir, most recently The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980, co-authored with A.T. McKenna. He is currently working on a study of Sean Connery. A.T. McKenna teaches Media and International Communications at the University of Nottingham in Ningbo, China. His work has appeared in the Historical Journal of Film, Radio and Television, Journal of British Cinema and Television, and the Journal of Popular Film and Television. He is currently working on a monograph on Joseph E. Levine. Christopher Meir is Lecturer in Film at the University of the West Indies, St. Augustine in Trinidad and Tobago. He edited a special issue of the Historical Journal of Film, Radio and Television on film marketing and has published on Jeremy Thomas. He is currently completing Scottish Cinema: Texts and Contexts.
Inhaltsangabe
Table of Contents List of Illustrations Notes on Contributors Acknowledgements 1. Introduction - Andrew Spicer A.T. McKenna and Christopher Meir Part I - Theoretical and Historical Contexts 2. Joe Kember University of Exeter UK "A Judge of Anything and Everything": Charles Urban and the Role of the "Producer-Collaborator" in Early British Film 3. Audun Engelstad and Jo Sondre Moseng Lillehammer University College Norway Mapping a Typology of the Film Producer - Or Six Producers in Search of an Author 4. Andrew Spicer University of the West of England UK The Independent Producer and the State: Simon Relph Government Policy and the British Film Industry 1980-2005 5. Paul Long Birmingham City University UK and Simon Spink UK Producing the Self: The Film Producer's Labor and Professional Identity in the UK Creative Economy 6. Pauline Small Queen Mary University of London UK Producer and Director? Or "Authorship" in 1950s Italian Cinema 7. Mark David Ryan Ben Goldsmith and Stuart Cunningham Queensland University of Technology Australia and Deb Verhoeven Deakin University Australia The Australian Screen Producer in Transition Part II - Media and Genre Contexts 8. Donna Kornhaber University of Texas at Austin USA The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar 9. Brett Mills and Sarah Ralph University of East Anglia UK "Trying to Ride a Naughty Horse": British Television Comedy Producers 10. Sonia Friel Norwich University of the Arts UK Keith Griffiths' Poetics of Production 11. James Lyons University of Exeter UK The American Independent Producer and the Film Value Chain Part III - National and Transnational Contexts 12. Constanza Burucúa Western University Canada Lita Stantic: Auteur Producer/Producer of Auteurs 13. A.T. McKenna University of Nottingham China Beyond National Humiliation: Han Sanping and China's Post-Olympics Historical Event Blockbusters 14. Gertjan Willems Ghent University Belgium The Producer in Belgian Cinema(s): The Case of Jean (and Jan) Van Raemdonck 15. Christopher Meir University of the West Indies St. Augustine Trinidad and Tobago Post-Imperial Co-Producers: Emile Sherman Iain Canning and Contemporary Anglo-Australian Cinema
Table of Contents List of Illustrations Notes on Contributors Acknowledgements 1. Introduction - Andrew Spicer A.T. McKenna and Christopher Meir Part I - Theoretical and Historical Contexts 2. Joe Kember University of Exeter UK "A Judge of Anything and Everything": Charles Urban and the Role of the "Producer-Collaborator" in Early British Film 3. Audun Engelstad and Jo Sondre Moseng Lillehammer University College Norway Mapping a Typology of the Film Producer - Or Six Producers in Search of an Author 4. Andrew Spicer University of the West of England UK The Independent Producer and the State: Simon Relph Government Policy and the British Film Industry 1980-2005 5. Paul Long Birmingham City University UK and Simon Spink UK Producing the Self: The Film Producer's Labor and Professional Identity in the UK Creative Economy 6. Pauline Small Queen Mary University of London UK Producer and Director? Or "Authorship" in 1950s Italian Cinema 7. Mark David Ryan Ben Goldsmith and Stuart Cunningham Queensland University of Technology Australia and Deb Verhoeven Deakin University Australia The Australian Screen Producer in Transition Part II - Media and Genre Contexts 8. Donna Kornhaber University of Texas at Austin USA The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar 9. Brett Mills and Sarah Ralph University of East Anglia UK "Trying to Ride a Naughty Horse": British Television Comedy Producers 10. Sonia Friel Norwich University of the Arts UK Keith Griffiths' Poetics of Production 11. James Lyons University of Exeter UK The American Independent Producer and the Film Value Chain Part III - National and Transnational Contexts 12. Constanza Burucúa Western University Canada Lita Stantic: Auteur Producer/Producer of Auteurs 13. A.T. McKenna University of Nottingham China Beyond National Humiliation: Han Sanping and China's Post-Olympics Historical Event Blockbusters 14. Gertjan Willems Ghent University Belgium The Producer in Belgian Cinema(s): The Case of Jean (and Jan) Van Raemdonck 15. Christopher Meir University of the West Indies St. Augustine Trinidad and Tobago Post-Imperial Co-Producers: Emile Sherman Iain Canning and Contemporary Anglo-Australian Cinema
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