In these same years, under the pressure of the rise of Fascism, Alfred Barr at the Museum of Modern Art stripped away this inclusive and radical vision. His invention of a myth of modern art evolving toward abstraction became the dominant critical concept of the mid twentieth century through the opportunistic rise of Clement Greenberg during World War II. Breaking Ground: Art Modernisms 1920-1950 overturns the long-codified history of modernist criticism by demonstrating its roots, expansion, and transformations as well as its final ossification.
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