36,95 €
36,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
18 °P sammeln
36,95 €
36,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
18 °P sammeln
Als Download kaufen
36,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
18 °P sammeln
Jetzt verschenken
36,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
18 °P sammeln
  • Format: ePub

Earlier studies of Charlie Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. In Charlie Parker and Thematic Improvisation , Henry Martin provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. The conclusion synthesizes features of Parker's style and discusses…mehr

Produktbeschreibung
Earlier studies of Charlie Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. In Charlie Parker and Thematic Improvisation, Henry Martin provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. The conclusion synthesizes features of Parker's style and discusses his contribution in the context of Western music history. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.
Autorenporträt
Henry Martin is a faculty member of the Jazz and Contemporary Music Program at the New School for Social Research. With a Ph.D. from Princeton University and degrees from the University of Michigan and Oberlin Conservatory, he has pursued a dual career as a composer-pianist and as a music theorist specializing in jazz and the Western tonal tradition. Mr. Martin has published numerous articles on jazz and music theory in such journals as The Annual Review of Jazz Studies, Perspectives of New Music, and In Theory Only. He is an Associate Editor of The Annual Review of Jazz Studies.