In the context of 'Islamic city' studies, relying on reasoning and rational thinking has reduced descriptive, vivid features of the urban space into a generic scientific framework. Phenomenological characteristics have consequently been ignored rather than integrated into theoretical components. The book argues that this results from a lack of appropriate conceptual vocabulary in our global body of scholarly literature. It challenges existing theories, introduces and applies the concept of Hezar-tu ('a thousand insides') to rethink the spaces in historic cores of Fez, Isfahan and Tunis. This tool constructs a staging post towards a different articulation of urban space based on spatial, physical, virtual, symbolic and social edges and thresholds; nodes of sociospatial relationships; zones of containment; state of intermediacy; and, thus, a logic of ambiguity rather than determinacy. Presenting alternative narrations of paths through sequential discovery of spaces, this book brings the sensual features of urban space into the focus.
The book finally shows that concepts derived from local contexts enable us to tailor our methods and theoretical structures to the idiosyncrasies of each city while retaining the global commonalities of all. Hence, in broader terms, it contributes to a growing awareness that urban studies should be more inclusive by bringing the diverse global contexts of cities into the body of our urban knowledge.
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Nezar AlSayyad, University of California, Berkeley, USA
"This book is an invitation to take a fresh look at the historic Islamic cities, change our perspective and think about them in a new way. It explores the cities of Fez, Isfahan and Tunis from a phenomenological perspective to capture and describe the experiential and sensual aspects of the urban space, and to become sensitive to their interiority, ambiguity and liminality."
Ali Madanipour, Newcastle University, UK.
"The importance of this book lies in its author's carefully substantiated argument that the sensually perceived, spatial characteristics of premodern Islamic urbanism have been neglected in scholarship; an oversight she attributes to an excessive reliance on cartographic methods for the comprehension of urban space and an inadequate conceptualisation of this space. Avoiding the first error by proceeding phenomenologically, and the second by unpicking and simultaneously developing, from an emic perspective, the etic concept of the labyrinth, Somaiyeh Falahat opens up new ways of knowing historic Islamic cities."
Simon O'Meara, School of Arts, SOAS, University of London








