In his coming-of-age memoir, Khan writes, with searing honesty and raw power, about the undercurrents of religious violence and the ensuing 'othering' that followed him everywhere he went: from his schooldays in Aligarh, when hopping over to the lending library to the 'Hindu' part of town to find his favourite comic book or lighting candles with neighbours on Diwali was fraught with tension; through his years as a college student in Delhi, where being denied apartments because of his name was the norm; to ultimately becoming a journalist documenting history of his country as it happened.
City on Fire is a rare, visceral portrait of how everyday violence and hate become a part of our lives and consciousness; a society where name and clothes mark out a person as the 'other'. It is as much an incisive examination of religion and violence, imagined histories and fractured realities, grief and love in today's India, as it is a paean to the hope of continued unity, to an idea of India
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