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Legendary maestro Leonard Slatkin provides personal insights and offers his ideas to solve the current dilemmas of classical music. As the new millennium poses some of the greatest challenges to the relevance of the art form, Slatkin reflects on the modern evolution of classical music and presents ways for both music lovers and musicians alike to navigate these uncertain times. Classical Crossroads: The Path Forward for Music in the 21st Century addresses a wide range of relevant and provocative topics such as performance in the era of COVID-19, dwindling audience attendance, the lack of…mehr
Legendary maestro Leonard Slatkin provides personal insights and offers his ideas to solve the current dilemmas of classical music. As the new millennium poses some of the greatest challenges to the relevance of the art form, Slatkin reflects on the modern evolution of classical music and presents ways for both music lovers and musicians alike to navigate these uncertain times. Classical Crossroads: The Path Forward for Music in the 21st Century addresses a wide range of relevant and provocative topics such as performance in the era of COVID-19, dwindling audience attendance, the lack of classical music in public education, broken audition systems, technology replacing live concerts, and diversity in the classical music world. While the new millennium has provided great obstacles, Slatkin emphasizes that there are also new opportunities-if there was ever a time for change in classical music, that time is now.
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Autorenporträt
Leonard Slatkin is music director laureate of the Detroit Symphony Orchestra, directeur musical honoraire of the Orchestre National de Lyon, and conductor laureate of the St. Louis Symphony Orchestra. He maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator. A six-time Grammy winner, Slatkin is a recipient of the National Medal of Arts and holds the rank of Chevalier in the French Legion of Honor. He lives in St. Louis, Missouri with his wife, composer Cindy McTee.
Inhaltsangabe
Introduction First Movement Chapter 1: On Conducting Chapter 2: On Orchestral Personality Chapter 3: On Size Chapter 4: On the Theater Chapter 5: On Nationalism Second Movement Chapter 6: On Agents Chapter 7: On Diversity Chapter 8: On Soloists Chapter 9: On Music Directors Chapter 10: On Retirement Third Movement Chapter 11: On Repertoire Chapter 12: On Media Chapter 13: On Composers Chapter 14: On Performance Practice Chapter 15: On Rehearsing Fourth Movement Chapter 16: On Audiences Chapter 17: On Forgotten Masters Chapter 18: On Sound Health Chapter 19: On Auditions Chapter 20: On Education The Road to Recovery Coda
Introduction First Movement Chapter 1: On Conducting Chapter 2: On Orchestral Personality Chapter 3: On Size Chapter 4: On the Theater Chapter 5: On Nationalism Second Movement Chapter 6: On Agents Chapter 7: On Diversity Chapter 8: On Soloists Chapter 9: On Music Directors Chapter 10: On Retirement Third Movement Chapter 11: On Repertoire Chapter 12: On Media Chapter 13: On Composers Chapter 14: On Performance Practice Chapter 15: On Rehearsing Fourth Movement Chapter 16: On Audiences Chapter 17: On Forgotten Masters Chapter 18: On Sound Health Chapter 19: On Auditions Chapter 20: On Education The Road to Recovery Coda
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