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This Ecuadorian short story collection explores domestic horrors and everyday violence, a "grotesque, unflinching" portrait of twenty-first-century Latin America ( Publishers Weekly ).
Ampuero's literary voice is tough and beautiful at once: her stories are exquisite and dangerous objects. Yuri Herrera, author of Signs Preceding the End of the World
Named one of the ten best fiction books of 2018 by the New York Times en Español , Cockfight is the debut work by Ecuadorian writer and journalist María Fernanda Ampuero.
In lucid and compelling prose, Ampuero sheds light on the hidden
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Produktbeschreibung
This Ecuadorian short story collection explores domestic horrors and everyday violence, a "grotesque, unflinching" portrait of twenty-first-century Latin America (Publishers Weekly).

Ampuero's literary voice is tough and beautiful at once: her stories are exquisite and dangerous objects. Yuri Herrera, author of Signs Preceding the End of the World

Named one of the ten best fiction books of 2018 by the New York Times en Español, Cockfight is the debut work by Ecuadorian writer and journalist María Fernanda Ampuero.

In lucid and compelling prose, Ampuero sheds light on the hidden aspects of the home: the grotesque realities of family, coming of age, religion, and class struggle. A family's maids witness a horrible cycle of abuse, a girl is auctioned off by a gang of criminals, and two sisters find themselves at the mercy of their spiteful brother. With violence masquerading as love, characters spend their lives trapped reenacting their past traumas.

Heralding a brutal and singular new voice, Cockfight explores the power of the home to both create and destroy those within it.


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Autorenporträt
María Fernanda Ampuero is a writer and journalist, born in Guayaquil, Ecuador, in 1976. She has published articles in newspapers and magazines around the world, as well as two nonfiction books: Lo que aprendí en la peluquería y Permiso de residencia. Cockfight is her first short story collection, and her first book to be translated into English.

Frances Riddle is a writer and translator based in Buenos Aires, Argentina. Her recent book-length translations include Not One Less by María Pía López (forthcoming, Polity Press); Plebeian Prose by Néstor Perlongher (Polity Press 2019); The German Room by Carla Maliandi (Charco Press 2018). Her short story translations, essays, and reviews have been published in the White Review, Electric Literature, the Short Story Project, and Words Without Borders, among others.