This volume examines the most admired of Colette's novels, especially from the second half of her life, including the much misunderstood La Maison de Claudine (1922), where the incest taboo surfaces in the relationship of the narrator with the mother. As the book shows, the taboo had already appeared two years earlier in Chéri (1920), in the rapport between the maternal Léa, a woman of a certain age, and the young man, Chéri; finally, in Gigi, the incest taboo characterises the relations between the young teenager of the eponymous title and her much older, uncle figure Gaston. This book also examines two excellent movies, Vincent Minnelli's adaptation of Gigi in 1958 and Wash Westmoreland's recent biographical film in 2018, Colette, in the context of the incest taboo.
Colette's writing confronts a problem at the heart of women's psychology today, shedding light on the parent-child relationship and the ways in which it informs our thinking on female mentality, sexuality and power relations. Chéri, La Maison de Claudine, Gigi, Minnelli's adaptation and Westmoreland's biopic reveal the problem as a significant element in a changing female psychology and a society in flux.
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